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  • Alessio Chierico (Ph.D.) is an interdisciplinary artist, researcher, and lecturer with a background in contemporary art, design theory, and media studies. Chierico is currently a full professor at the Academy of Fine Arts of Frosinone, where he
  • Intro Act
    Sommerer, Christa and Laurent Mignonneau. Intro Act In 3rd Biennale d´Art Contemporain de Lyon, edited by H. Destezet, 378-381. Paris: Reunion des Musees Nationaux/ Biennale d´Art Contemporain, 1995.
  • Centre pour l´image contemporaine, Saint-Gervais, Genéve and l´Université Paris 8, ed. La relation comme forme. L´interactivité en Art. Dijon, France: Les Presses du Réel, 2004.
  • Bellour, Raymond. Présences virtuelles In Les Frontières esthétiques de l'art, , 179f.. Paris: L'Harmattan, 1999.
  • Critical Art Ensemble (CAE) is a collective of five tactical media practitioners of various specializations including computer graphics and web design, film/video, photography, text art, book art, and performance. Formed in 1987, CAE's focus has
  • Caterina Davinio is an Italian computer artist, writer, and curator. Born in Foggia in 1957, she was raised in Rome and received her degree in Italian Literature at Rome University La Sapienza, where she studied with Giulio Carlo Agan, Alberto Asor
  • George Legrady has been creating interactive digital media installations and projects since the early 1990's. He is best known for his projects focuses on the classification and visualization of data as in “Pockets Full of Memories” (2001)
  • Bachelard, Gaston. La poetique de l´espace. Paris: Collection: Bibliothéque de philosophie contemporaine, 1957.
  • Pommier, Edouard. Théories du portrait. De la Renaissance aux Lumières. Paris: Gallimard, 1998.
  • Duguet, Anne-Marie. Vidéo, la mémoire au poing. Paris: Hachette litterature generale, 1981.