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Reinhuber, Elke and Sebastian Pelz. Suitable for Framework. Edinburgh, UK: The Forest, 2005.

Fleischmann, Monika and Wolfgang Strauss and Christian Bohn. Liquid Views In Inter Medium Textbook, edited by Ito ToshiharuKyoto: 1997.

Weibel, Peter. Das Bild nach dem letzten Bild In Das Bild nach dem letzten Bild: Ausstellungskatalog Galerie Metropol Wien, edited by Peter Weibel and Christian Meyer, 183-213. Köln: Verlag der Buchhandlung Walther König, 1991.

Fleischmann, Monika and Wolfgang Strauss. Liquid Views - Rigid Waves In Visual Proceedings Siggraph ´98, International Conference on Computer Graphics and Interactive Techniques, , 21. Orlando: 1998.

Willet, Jennifer and Shawn Bailey. BIOTEKNICA: Organic Tissue Prototypes The State of the Real: Aesthetics in the Digital Age, Damian Sutton, Susan Brind and Ray McKenzie, Edts. (2006): 125-134.

Ray, Tom and Georg Gilder and Ray Kurzweil and Michael et. al. Denton. Kurzweil´s Turing Fallacy In Are We Spiritual Machines. Ray Kurzweil vs. the Critics of Strong AI, edited by Jay RichardsSeattle, WA: Discovery Inst, 2002.

Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In Lab 5: International Film, Video and Computer Art Exhibition 1995, edited by Ryszard KluszczynskiWarsaw: 1995.

Sommerer, Christa and Laurent Mignonneau. GENMA-Genetic Manipulator In Ars Electronica ´96. Memesis of the Future, edited by Art Electronica, 294-295. Wien, New York: Springer Verlag, 1996.

Cantoni, Rejane and Sergio Zilinsky. Does matter really matter? From cyberspace to architecture International Congress: the Future of the Architect [Mind, Land, Society] (June 2000).

Medicus, Thomas, ed. Tote Blicke. Geschichte der Porträtbildnerei in Wachs - ein Versuch. Berlin, DE: Akademie Verlag GmbH, 1993.