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ITCH
2010
The ITCH acronym
sta
nds for “Interactive Technology – Community Hacking”, and as such it tries to represent a wide artistic re
sea
rch project concerning with the impact of personal mobile technologies on social behavior, particularly in the public
Recaos
1986
-
1986
When viewers logged on, the first saw the letter C on the lower right corner of the screen. The letter A appeared above the C, followed by a series of letters O moving upwards. This motion wa
s a
gainst the default mode of the videotex medium, which
Andy Gracie
"My artistic practice is characterised by an in depth engagement with process, scientific methodologie
s a
nd the nature of experiment. Here 'experiment' refers both to the act of acquiring knowledge and information through testing scenarios, and to
Environmental Media Studies
1977
-
1979
Environmental Media Studies explored new ways of representing land
sca
pe and place. Moving Movie #1 (1977) wa
s a
n inexpensive modest study made at MIT. I was obsessed with why movie cameras move and movie projectors don’t, and filmed the Boston
Ca
ssa
ndra
2009
30 panel polytych, acrylic, ink and enamel reverse painting on acrylic sheet, 227.5 x 396 cm, 2009
Sha
dow Quartet
2005
-
2005
William Kentridge' featured
Sha
dow Quartet - four free-
sta
nding bronze sculptures by this distinguished South African artist with a significant international profile, commissioned by the AGWA and funded through the Foundation, the Friend
s a
nd a
Micro Arts Group - Computer Art
s A
rchive/EVA, BCS Moorgate London
2022
-
2022
Exhibition of 20 Micro Arts Group prints, including generative art from Geoff Davi
s a
nd Martin Rootes, and a story generator by Geoff Davis. The print magazine wa
s a
lso shown, which had the first ever view of Quantel art, by French artist Michèle
transmediale.13: Back when Pluto wa
s a
planet
2013
The net jargon acronym BWPWAP – Back When Pluto Wa
s a
Planet i
s a
n expression used whenever one wants to talk about things in our recent past that have changed quickly. On August 24th, 2006, at the closing ceremony of their general assembly, the
Land
sca
pe Painting
2015
Land
sca
pe Painting shows painted land
sca
pe
s—a
desert scene with cacti and rock
s a
nd a jungle scenario. The artist traveled to two locations in Mexico, where he selected an appropriate segment of land and organized a team of local helpers. He paid
POLYMORPHIC IMPRINT
2017
In
sta
llation: 4 reliefs (CNC technology) and 4 photographs (digital print on acrylic support) dim: reliefs (each): 80 x 80 cm; photographs: 60 x 60 cm The cry
sta
l structure
s a
re microscopically analyzed using computer programs, which allow the
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