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Performing Beauty in Participatory Art and Culture
2014
Falk Heinrich. Performing Beauty in Participatory Art and Culture. New York: Routledge, 2014.
On Visualized Vision In The Early Photographic Work Of Warren Neidich
2010
Neubauer, Susanne. On Visualized Vision In The Early Photographic Work Of Warren Neidich Theory, Culture & Society 27 (December 2010): 306-323.
Lila Moore
Lila Moore is a pioneering artist, filmmaker, screen choreographer, networked performance and mixed reality creator. She holds a practice-based PhD in Dance on Screen from Middlesex University (2001, UK) in the context of modern and contemporary
Media Culture
1995
Giannetti, Claudia. Media Culture. Barcelona, Spain: L´Angelot, 1995.
“Metamorphoses…”, in "Hybrid Space"
2002
Ippolitov Arcady. “Metamorphoses…”, in "Hybrid Space". St Petersburg, Russia: The Petersburg foundation for culture and the arts “PRO ARTE Institute”, State Russian Museum of Arctic and Antarctic, Russian Academy of Sciences, 2002.
Antoni Muntadas
He is a multidisciplinary installation and media spanish artist. Research Fellow at the center for Advanced visual studies at MIT from 1977-1984. His art works have been exhibited widely in the Museum of Modern Art, the Gwangju biennale, the Venice
Michael Naimark
Michael Naimark is a media artist and researcher who often explores "place representation" and its impact on culture. He has served as faculty in the USC School of Cinematic Arts' Interactive Media Division (2004-09), the NYU Tisch School of the
Mark Napier
Mark Napier realizes only works for the Internet. He has produced a wide range of Internet projects, including "The Shredder" (1998), an alternative browser that dematerializes the Web; "Digital Landfill" (1998), an endless archive of digital
Conjunction of Visual Culture
2004
Ride, Peter. Conjunction of Visual Culture Gallery Saw Net publications and CARTE, UK (July 2004).
Eight Questions (and Answers) about Machinima
2011
Nideffer, Robert. Eight Questions (and Answers) about Machinima Journal of Visual Culture 10, no. 1 (April 2011): 66-73.
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