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  • Letteratura Elettronica -
    Event: Letteratura ElettronicaInstitution: Palazzo delle Arti di NapoliComment:
  • Igre svetlobe
    Vignjević, Tomislav. Igre svetlobe Ljubljana: Delo, 23. 7. 2002, 44/167 (2002): p. 6.
  • Delvaux's Dream -
    Paul Delvaux's paintings belong to a completely different art world to Lissitzky's Prouns : in the early twenties, when the Russian artist was exploring suprematist aesthetics, the Belgian painter was executing figurative landscapes. The
  • 100 Days - 100 Imachinations -
    Peter Weibel (head of the ZKM Karlsruhe) describes one of the major qualities of the Imachination project as follows: “Emerging at the same time dislocated in different places the Imachinations are both - either original or copy. One image is not
  • Temple -
    Media:loudspeakers, amplifiers, telephone number Dimensions:24" x 20" x 20" Description: adaptation of the Delphi "Tholos" Temple Ruin. Electroacoustic Sculpture made of 3000 recycled loudspeakers, amplifiers and radios. Sound: white noise. People
  • Divination A Romantic Mutiny in a Maelstrom of Data -
    'Divination: A Romantic Mutiny in a Maelstrom of Data' by Nancy Mauro-Flude. Produced by Contemporary Art Tasmania. The maiden voyage performance of Pyrate Queen and her crew, set sail for the duration of Dark Mofo 10–19 June 2016. Toured in 2017
  • Glocal Visions
    Thiessen, Kirsten. Glocal Visions Surrey North Delta Leader (September 2008).
  • Absolutismus und Exzentrik. Die Kunst des Entschwindens. (Assolutismo ed Eccentricita L'Arte dello Svanire.)
    Matt, Gerald and Wolfgang Fetz, ed. Absolutismus und Exzentrik. Die Kunst des Entschwindens. (Assolutismo ed Eccentricita L'Arte dello Svanire.). Bolzano: Bozen Galerie Museum, 1991.
  • Roz Dimon
    Roz Dimon is an artist who has been painting with a digital brush for over 30 years after her oil paintings began to fill with pixels in the 1980s. Her work in digital media was featured in 1991 in Forbes Magazine with David Hockney and she has
  • Tessarae of Venus -
    Tesserae of Venus imagines a strange future through dynamic photomontages of energy-producing landscapes and related drawings. McPhee borrows from the tectonics of Venus-tesserae, or ‘complex ridged folds,’ in order to structure her images of
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