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  • Fernando Orellana
    Currently an Assistant Professor developing an electronic art program at Union College in Schenectady, NY, Fernando Orellana uses new and traditional media as a way of transmitting concepts that range from generative art to socialpolitical
  • Allison Kudla
    Allison Kudla was born in the second month of 1980, her mother a preschool teacher, her father a college professor. At an early age she became interested in colorful floating patterns she saw in her room at night when she tried to sleep. She often
  • A-positive
    Kac, Eduardo. A-positive In ISEA ´97 Program Guide, edited by The School of the Art Institute of Chicago, 62. Chicago: ISEA, 1997.
  • A-positive: Art at the Biobotic Frontier
    Kac, Eduardo. A-positive: Art at the Biobotic Frontier. Chicago: 1997.
  • How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Information
    Hayles, Katharine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Information. Chicago, London: University of Chicago Press, 1999.
  • Warren Neidich
    Warren Neidich is a Berlin and Los Angeles based post-conceptual artist, theorist and writer who explores the interfaces between cultural production, brain research and cognitive capitalism. “Art Before Philosophy not After”. His interdisciplinary
  • Making PCR: A Story of Biotechnology
    Raboniw, Paul. Making PCR: A Story of Biotechnology. Chicago: University of Chicago Press, 1996.
  • Echo Objects. The Cognitive Work of Images
    Stafford, Barbara Maria. Echo Objects. The Cognitive Work of Images. Chicago: University of Chicago Press, 2007.
  • Nanoart: The immateriality of Art
    Paul Thomas. Nanoart: The immateriality of Art. Chicago: Chicago Press, 2013.
  • Context Providers: Conditions of Meaning in Media Arts
    Nideffer, Robert and Margot Lovejoy and Christiane Paul and Victoria Vesna. Context Providers: Conditions of Meaning in Media Arts. University of Chicago: University of Chicago, 2011.
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