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  • After Microsoft -
    The most distributed image ever is being phased out. What remains is a hill in Sonoma Valley, California. In the context of this project we have re-visited the hill. “After Microsoft” tells the story of a January day in the late 90’s when the hill
  • Art Total -
    The relationship between the work and its frame and between art and its spaces for exhibition and legitimisation has been one of the preoccupations of twentieth-century artists. In the multiple conceptual acrobatics which led Klein to exhibit
  • Dr. Catherine B. Fisher has been an exhibited and published artist for over forty years. She lives in the Sutherland Shire of New South Wales, Australia. Her artworks are nationally award-winning & multi-disciplinary - printmaking, digital art,
  • Reality is an intuitively understood component of our life. It is a philosophical category, a scientific constant, and something that everyone can define in his own way. Reality refers to everything that arises in time and then disappears, and
  • ITCH
    The ITCH acronym stands for “Interactive Technology – Community Hacking”, and as such it tries to represent a wide artistic research project concerning with the impact of personal mobile technologies on social behavior, particularly in the public
  • Recaos -
    When viewers logged on, the first saw the letter C on the lower right corner of the screen. The letter A appeared above the C, followed by a series of letters O moving upwards. This motion was against the default mode of the videotex medium, which
  • "My artistic practice is characterised by an in depth engagement with process, scientific methodologies and the nature of experiment. Here 'experiment' refers both to the act of acquiring knowledge and information through testing scenarios, and to
  • Environmental Media Studies explored new ways of representing landscape and place. Moving Movie #1 (1977) was an inexpensive modest study made at MIT. I was obsessed with why movie cameras move and movie projectors don’t, and filmed the Boston
  • Cassandra
    30 panel polytych, acrylic, ink and enamel reverse painting on acrylic sheet, 227.5 x 396 cm, 2009
  • Shadow Quartet -
    William Kentridge' featured Shadow Quartet - four free-standing bronze sculptures by this distinguished South African artist with a significant international profile, commissioned by the AGWA and funded through the Foundation, the Friends and a