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  • Vis. [un]necessary force_4. Artistic practice and communities immersed in search processes for victims of enforced disappearance in Mexico
    Sanchez Cardona, LM. Vis. [un]necessary force_4. Artistic practice and communities immersed in search processes for victims of enforced disappearance in Mexico In Seven experiences of listening and protest in artistic practices, edited by Ana
  • Intermittent Space: Sound, Violence, Ambiance and Affective Politics of Fear in Contemporary Mexico
    ... Mexico Unlikely Journal for Creative...
  • Watched and Measured -
    "Watched and Measured" is a system that observes, tracks and catalogues people walking through the new Wellcome Wing at the Science Museum in London, UK. It explores the some of the ethical questions surrounding surveillance systems: do they invade
  • Who´s Afraid of Cyberspace
    Sand, Michael. Who´s Afraid of Cyberspace Tate: The Art Magazine 6 (Summer 1995): 36-39.
  • Quarxs, dessins et vidéos
    Event: Quarxs, dessins et vidéosInstitution: Médiathèque Georges SandComment:
  • Three Pavilions
    Three inflatable pavilions, each having a specific function, were specially commissioned for Sonsbeek buiten de perken. Besides the Information Pavilion, an air supported semi-sphere covered with sythetic grass, and the Video Studio, a tensile
  • Paul Garrin
    Paul Garrin began working with video while studying fine arts at the Cooper Union School of Art in New York. His works over the past 20 years encompass a full spectrum of analog and digital media from video to the Internet, exploring media and the
  • Naoko Tosa
    ... are photographic pieces like “Sanctuary”, “Private...
  • Auditorium
    The Auditorium was the world’s first two-level air-supported structure. With two sets of revolving doors, the ground level could operate at a higher pressure than the upper level. This was necessary to support the weight of people sitting on its
  • Silicon Remembers Carbon -
    The central element in "Silicon Remembers Carbon" is a large video image projected down onto a bed of sand on the floor of the installation space. In the second version, instead of laser-discs, the video source is made up from 2 streams of MPEG-2
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