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Global Direct
2014
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2014
"Global Direct introduces the idea of direct participation in worldwide governance within the tradition of utopian artistic visions. The artwork is presented as a visionary political program that structures global direct democracy through the
plastic trade-off
2006
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2015
in cooperation with Gerald Nestler --- plastic trade-off is a light sculpture as well as a virtual knowledge space. It visualizes global financial markets and thus a core element of global economy. plastic trade-off could be described as a
antidatamining
2010
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2010
Antidatamining is a series of visualisations of financial data. Economy is represented by its main agents –companies, groups and holdings, stock exchanges, banks and investment funds– and their interaction: capital relationships, geographic
Miroslaw Rogalla
"A central concept of my artworks is 'freedom of speech.' My understanding of freedom and democracy is not only "rights"and "privileges" the traditional definition in the USA but also of responsibilities. Interactive Media give audiences the
Tessel
2010
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2010
Tessel is a kinetic installation investigating the perception of sound and space. Its name is derived from 'tessellation', a term applied to the geometric subdivision of a surface into plane units, also known as 'tiling'. It also describes a
Occupy Wall Screens
2012
Streaming Museum, an international public art and online museum, will celebrate its fourth anniversary on January 31 with the US premiere of “Emotion Forecast” and “Occupy Wall Screens,” real-time artworks by the renowned French artist Maurice
(W)orld Currency
2014
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2014
"This artwork illustrates a global currency through the creative formulation of an equation and a trading algorithm for the currency exchange market. The visionary creation of algorithmic trading combines art with the material that governs
LAB 1: ART+COM - Virtual Reality and The Divine Spark
1987
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1987
ART + COM - An Interdisciplinary Media Laboratory in West Berlin (1987 - 1993 - the time when the artists Fleischmann and Strauss were a part of it) How did it all start? In the mid-1980s, few people thought that everyone would have a computer in
Our Digital Culture Threatened by Loss
2014
Grau, Oliver. Our Digital Culture Threatened by Loss The World Financial Review (2014): 40-42.
Art in the Age of Financial Crisis
2018
McGarrigle, Conor and Marisa Lerer. Art in the Age of Financial Crisis Visual Resources 34, no. 1-2 (2018): 1-12.
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