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  • Zonas de contactoArt History in a Global Network -
    Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on
  • Performance Art+Internet = Communication
    Albuquerque, Beatriz. Performance Art+Internet = Communication In Performances no Contemporaneo, edited by Né BarrosPorto: Faculdade de Letras da Universidade do Porto, 2018.
  • Brain Wave Drawings - video
    BrainWave Drawings/Non-verbal communication: on an oscilloscope, one person is emitting brainwave data via the x-axis, the other via the Y-axis; when both emit the same brainwave pattern simultaneously, a circular configuration or Lissajous pattern
  • FACTORS 1.0 - Festival de Arte-Ciência-Tecnologia do Rio Grande do Sul
    O festival compõe o Simpósio de Arte Contemporânea que acontece desde 2006 na UFSM, realizado pelo Labart e promovido pelo PPGART/UFSM, sob coordenação da Profª. Drª. Nara Cristina Santos. Na esteira do 9º Simpósio de Arte Contemporânea, o FACTORS
  • Digital Shanachies
    Barry, Nora. Digital Shanachies In Ars Electronica 2001, edited by Gerfried Stocker and Christine Schöpf, 102-106. New York, Wien: Springer, 2001.
  • Phonorama - A Cultural History of the Voice as a Medium -
    Works by: Judith Barry, Joseph Beuys, Christian Boltanski, Marcel Broodthaers, Carlfriedrich Claus, Jonah Brucker-Cohen, Gustav Deutsch, VALIE EXPORT, Asta Gröting, Pierre Huyghe, Zachary Lieberman and Golan Levin, Katarina Matiasek / Scanner, Tony
  • Autonomous Oil Reserve
    The oil reserve is autonomous. A resource that is intended to be available in the case of dwindling oil supplies. The reservoir can hold about 1500 liters of oil which may be used exclusively for non commercial or non political projects such as art
  • D/eu/s -
    When viewers logged on they first saw a black screen. Then, a small white rectangle appeared in the middle of the screen. Slowly, vertical bars descended inside the horizontal rectangle. At the bottom, viewers saw apparently random letters and
  • still living (a, b, e, f, g, h, i, j), 2006 -
    still living (a, b, e, f, g, h, i, j), 2006 Series of infinite visual installations. Computer, specific algorithm Courtesy: the artist This series of visual installations revolves around the concept of living graphics: graphics using
  • inSite 2000 -
    inSITE 2000 beteiligte künstlerInnen: Carlos Amorales, Gustavo Artigas, Judith Barry, Jordan Crandall, Arturo Cuenca, Roman de Salvo, Dias & Riedweg, Mark Dion, Silvia Gruner, Diego Gutiérrez, Jonathan Hernandez, Norma Iglesias & Rita Gonzales,
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