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  • Peter Flemming Curriculum vitae, March 2010 www.peterflemming.ca peter@peterflemming.ca all locations Canada, unless otherwise mentioned Artist statement I see what I make as the electromechanical equivalents of short stories. Instead of
  • Strom, Jordan. Shifting Perspectives: Sylvia Grace Borda. Vol.https://www.surrey.ca/arts-culture/surrey-art-gallery/gallery-publications/exhibition-catalogues/shifting-perspectives. 1 th ed.Canada: Heritage House Publishing and Surrey Art Gallery,
  • Luc Courchesne -
    Event: Luc CourchesneInstitution: National Gallery of CanadaComment:
  • Anticipation -
    Event: AnticipationInstitution: National Gallery of CanadaComment:
  • Ephémère -
    Event: EphémèreInstitution: National Gallery of CanadaComment:
  • Event: International Symposium of Electronic Art, Simon Fraser University, Vancouver, Canada 2015Institution: Simon Fraser UniversityComment:
  • Event: ISEA, 45th International Symposium on Electronic Arts, Montreal, CanadaInstitution: ISEA International1Comment:
  • Known for her theories on playculture, activist design, and critical play, Mary Flanagan has achieved international acclaim for her novel interdisciplinary work, her commitment to both theory and practice, and her ongoing pioneering contributions to
  • Christopher Hales studied PhD research on Interactive Film Art at the RCA Film and TV Department, and taught as Senior Lecturer at the Faculty of Art of the University of the West of England [Bristol] until 2001. His interactive films and CD-ROMs
  • Harwood started out as an artist during the 1980s. He was involved with publishing initiatives such as the Working Press (books by and about working class culture); Underground newspaper (a London-based free newspaper aimed at promoting and