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  • Cheng-yu, Pan. The Gaze from the Apocalypse Art Accrediting, Kaohsiung Museum of Fine Arts , no. 67 (2016).
  • Is an artist and academic. He is currently part of the teaching team in Fine Arts at Winchester School of Art, University of Southampton, England. He was born in 1957. He studied chemistry and painting at Warren Wilson College, North Carolina, then
  • Cheng-Yu Pan. Cheng-Yu Pan, “The Gaze from the Apocalypse” “The Gaze from the Apocalypse” (2015).
  • Fang-Ho Cheng. Fang-Ho Cheng, “Speaking Subject—Lin Pey-Chwen’s Eve Clone” “Speaking Subject—Lin Pey-Chwen’s Eve Clone” (2017).
  • Exhibition location: Chengdu Contemporary Art Museum, Tianfu Art Museum, China Chief Curator: Fan Di'an Director of Academic Committee: Lu Peng
  • Ray, Tom and Xu Chenmei. Measures of Evolvability in Tierra In Proceedings of the Fifth Int. Symposium on Artificial Life and Robotics (AROB 5th´00), edited by Masanori Sugisaka and Hiroshi TanakaOita, JP: 2000.
  • Dmitry Gelfand (b.1974, St. Petersburg, Russia) and Evelina Domnitch (b. 1972, Minsk, Belarus) create sensory immersion environments that merge physics, chemistry and computer science with uncanny philosophical practices. Current findings,
  • This work is based on the concept of the refraction of a triangular prism, playing with the transformation of light and shadow in combination with musical creativity. The result is shared on a cloud database, collecting each part of sharing and
  • Infinity of Sound-Light Scope Away invites the audiences to record a piece of the singing of their signature song with mobile phones and transmits the recorded voice to the mirror space to create fascinating new songs. When audiences enter the room