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The Gaze from the Apocalypse
2016
Cheng-yu, Pan. The Gaze from the Apocalypse Art Accrediting, Kaohsiung Museum of Fine Arts , no. 67 (2016).
Andrew Carnie
Is an artist and academic. He is currently part of the teaching team in Fine Arts at Winchester School of Art, University of Southampton, England. He was born in 1957. He studied chemistry and painting at Warren Wilson College, North Carolina, then
Cheng-Yu Pan, “The Gaze from the Apocalypse”
2015
Cheng-Yu Pan. Cheng-Yu Pan, “The Gaze from the Apocalypse” “The Gaze from the Apocalypse” (2015).
Fang-Ho Cheng, “Speaking Subject—Lin Pey-Chwen’s Eve Clone”
2017
Fang-Ho Cheng. Fang-Ho Cheng, “Speaking Subject—Lin Pey-Chwen’s Eve Clone” “Speaking Subject—Lin Pey-Chwen’s Eve Clone” (2017).
Chengdou Biennale 2021, China
2021
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2022
Exhibition location: Chengdu Contemporary Art Museum, Tianfu Art Museum, China Chief Curator: Fan Di'an Director of Academic Committee: Lu Peng
Chengdu Contemporary Art Museum, Tianfu Art Museum
Measures of Evolvability in Tierra
2000
Ray, Tom and Xu Chenmei. Measures of Evolvability in Tierra In Proceedings of the Fifth Int. Symposium on Artificial Life and Robotics (AROB 5th´00), edited by Masanori Sugisaka and Hiroshi TanakaOita, JP: 2000.
Dmitry Gelfand
Dmitry Gelfand (b.1974, St. Petersburg, Russia) and Evelina Domnitch (b. 1972, Minsk, Belarus) create sensory immersion environments that merge physics, chemistry and computer science with uncanny philosophical practices. Current findings,
Shine Together-Turning Natural Melody
2020
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2020
This work is based on the concept of the refraction of a triangular prism, playing with the transformation of light and shadow in combination with musical creativity. The result is shared on a cloud database, collecting each part of sharing and
Infinity of Sound-Light Scope Away
2020
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2020
Infinity of Sound-Light Scope Away invites the audiences to record a piece of the singing of their signature song with mobile phones and transmits the recorded voice to the mirror space to create fascinating new songs. When audiences enter the room
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