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Frequency and Volume, Relational Architecture 9
2003
-
2003
"Frequency and Volume" consists of between 100 and 800 square metres of projected shadows which allow participants to scan the radio spectrum of the city with their bodies. As a shadow appears it tunes any radio frequency between 150kHz to 1.5GHz
Anna and Andy
2000
... matching to monitor various communi
cat
ions. In particular, during the Cold War, the...
Planetary Network
1986
-
1986
The «daily news» was the theme of this project in which more than 100 artists on three continents participated. The artists worked with computers, video text, slow-scan-TV, and telefax. The live activities in Venice lasted a period of 14 days,
Whitney Biennial 2002 Net Art Selection
2002
-
2002
The selection of Internet-based art for the 2002 Biennial strives to give an impression of the variety of forms that net art can take and of the multiple themes that have emerged over the years. These forms range from alternative browsers and
+/- [the infinite between 0 and 1 ryoji ikeda
2009
Ryoji Ikeda Exploring a new sensorium Japanese artist Ryoji Ikeda creates at the extremes of sound, light and mathematics to produce complex transformative works of singular beauty. In Paris last year he projected vast blinding white light up into
Telenoia
1992
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1992
What TELENOIA is about is telematic connectivity, mind to mind across the globe. We'll use e.mail like Earn, Bitnet, Internet. We'll use Fax, Telephone of course, ISDN if it's accessible.If we get hold of Videophones or some means of
Trans-E: The Body and Technologies
1994
-
1995
video
The exhibition TRANS-E (trans, transit, trance!) consists of four installations shown simultaneously: Bio-Biblion, A-fetus, In-fluxus and The Supper. TRANS-E creates a series of experiences for the visitor involving the entire body.BIO-BIBLION is
Workaholic
2000
... the software can use to determine the lo
cat
ion and path of the pendulum. Rather than...
Bar Code Hotel
1994
... objects' behaviors, movements and lo
cat
ion. Objects can expand and contract; they can...
Spatial Sounds (100db at 100km/h)
2000
-
2000
Spatial Sounds (100dB at 100km/h) is an interactive audio installation by Marnix de Nijs and Edwin van der Heide. In this engine-powered work, a speaker is mounted onto a rotating arm that is several meters long. Like a watchdog, the machine scans
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