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  • The Artist as Digital Explorer
    Everitt, Dave. The Artist as Digital Explorer Explorations in Art and Technology , no. https://doi.org/10.1007/978-1-4471-0197-0_18 (2002): 173-178.
  • Virtual Romans: Virtual Reconstruction of Roman Leicester (Ratae Corieltauvorum) 210 AD
    Everitt, Dave and Nick Higgett and Emily Baines and Gerardo Saucedo and Eric Tatham. Virtual Romans: Virtual Reconstruction of Roman Leicester (Ratae Corieltauvorum) 210 AD VAST: International Symposium on Virtual Reality , no.
  • Water Catalogue Linear Video - video
    Water Catalogue Linear Video 1984 1984, 27:30 min, color, sound A lyrical fusion of hypnotic images, original music and spoken narrative text, The Water Catalogue is a meditation on the power and poetry of water. In this impressionistic "video
  • Your Own Virtual Storyworld
    Davenport, Glorianna. Your Own Virtual Storyworld Scientific American 283, no. 5 (2000): 79-82.
  • Interfacing Cultural Heritage
    Fleischmann, Monika and Wolfgang Strauss and Vladimir Yelistratov. Interfacing Cultural Heritage In Proceedings of Eurographics Multimedia '99, edited by N. Correia and T. Chambel and G. Davenport: Springer Verlag, 1999.
  • The Encoded Eye, the Archive, and its Engine House -
    The Encoded Eye, the Archive, and its Engine HouseArtist: David TomasComment:
  • Sphere -
    SphereArtist: David LinkComment:
  • ECHOHCE -
    ECHOHCE is a project for a singer and a machine generating text. The singer speaks the title of a song to be generated into a microphone. A speech recognition software translates the words into text and sends it to the Poetry Machine. The software
  • Plot Against Time #3 (lower resolution excerpt) -
    Plot Against Time #3 (Insect Sonata (after Scriabin)), a single channel video, draws out the trajectories of insects in the my shady garden as they pass through beams of sunlight on a rare windless day in spring. The work's subtitle refers to early
  • Reflexions - video
    His first interactive sound installation. Construction of some very bulky 8 x 8 pixel video cameras, connected then to a wire-wrapped card in the Apple ][ which digitized the images, and wrote a program for the Apple ][ which controlled a Korg MS-20
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