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The English Lounge, Tang Contemporary, Beijing 2009

Event: The English Lounge, Tang Contemporary, BeijingInstitution: Ben Langlands & Nikki BellComment:
Rejane Spitz

Rejane Spitz is an Associate Professor and the Head of the Department of Art & Design at PUC-Rio University, Brazil. She was a Post-Doctoral researcher at CADRE-Laboratory for New Media /San Jose State University (California, USA) in 2003, and a
The Art of the Thinking Space: A Space Filled with Data.Vol. 31, No. 3: Shifting Boundaries: Practices and Theories, Arts and Technologies, 2020

Fleischmann, Monika and Wolfgang Strauss. The Art of the Thinking Space: A Space Filled with Data. Vol. 31, No. 3: Shifting Boundaries: Practices and Theories, Arts and Technologies, In Digital Creativity: Shifting Boundaries: Practices and
New Technologies and the Future of Humanities 2014

Event: New Technologies and the Future of HumanitiesInstitution: SCM and Dept of English, CityU HKComment:
ÄSTHETIK DER VERÄNDERUNG. 150 Jahre Universität für angewandte Kunst Wien 2017 - 2017

[English title, "Aesthetics of Change- 150 Years of the University of Applied Arts Vienna"]
Der entfesselte Blick 1992 - 1992

[English title, "The unleashed gaze"]
Brot und Spiele 2017 - 2017

English title, 'Bread and Circuses'
LAUTUNDLEISE 2005

Reactive light environment Public indoor swimming pool, Dornbirn (A), competition 2005- present [English title, loud and quiet] 'LAUTUNDLEISE' was conceived for the newly-built indoor pool in Dornbirn. The interactive light environment dynamizes the
Insect.Desperto 1995

Runtime animation in which the visual and sound tracks function independently and complementarily in two languages (English and Portuguese), one not being the translation of the other. “Desperto” means “awaken” in Portuguese. Originally a runtime
GLOBALE: Without Firm Ground – Vilém Flusser and the Arts 2015 - 2015

“Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new

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