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site-inflexion
2020
The immersive in
sta
llation site-inflexion invites visitors to take part in a site-specific virtual and acoustic journey. The scenery and sound
sca
pes of the JKU campu
s a
re the main actors in the work, alluding to Johannes Kepler’
s a
ctivity a
s a
site-inflexion
2020
The immersive in
sta
llation site-inflexion invites visitors to take part in a site-specific virtual and acoustic journey. The scenery and sound
sca
pes of the JKU campu
s a
re the main actors in the work, alluding to Johannes Kepler’
s a
ctivity a
s a
E-
Spa
rks
2001
-
2005
The goal of this project i
s a
n audio-vi
sua
l interactive in
sta
llation to explore the creative content and suggestions that the artificial life (alife) environments have in their potentialities. The suggestion the Plancton Art Studio wants to
London Dig
2006
London Dig is composed of four 42 inch pla
sma
screen
s a
rranged in a rectangular array of two by two screens, creating a larger single image. The imagery displayed on the screens derives from numerous bird's eye views of the City of London, centred
Habeas Corpus
2006
Habeas Corpus i
s a
permanent large
sca
le publicly sited immersive interactive in
sta
llation composed of two parts. The first part is encountered on entering the subterranean area of the Allen and Overy building in the City of London. As the viewer
Continuum
2007
Continuum i
s a
mirror that "captures" anything that moves before it. Anything that does not move is not reflected but is lost in the inky blackness of the background of the screen image. Continuum i
s a
"mirror" that "reflects" thing
s a
s both a
Bodytext
2010
Bodytext i
s a
performance work that involves speech, movement and the body. A dancer's movement and speech are re-mediated within an augmented environment employing real-time motion tracking, voice recognition, interpretative language systems,
Ksenia Fedorova
Ksenia Fedorova i
s a
media art re
sea
rcher and curator. She holds Ph.D in Philosophy/Aesthetics (St.Petersburg, Ekaterinburg, RU) and i
s a
PhD candidate at the Cultural Studies Graduate Group, University of California Davis. Her re
sea
rch interests
Cros
sta
lk
2013
-
2014
'Cros
sta
lk' i
s a
new collaborative interactive performance work by vi
sua
l artist Simon Biggs, composer Garth Paine, and dance artist Sue Hawksley. Software development by Hadi Mehrpouya. 'Cros
sta
lk' is for two performers whose movement and speech
Sally Sheinman
I have always been deeply interested in the viewer, pondering why some people engage with art while others do not. This curiosity led me to
sta
rt asking questions directed at the audience. For one project, I asked, "What did you do today?" In this
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