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  • Dinkla, Söke. From Participation to Interaction: Towards the Origins of Interactive Art In Clicking In: Hot Links to a Digital Culture, edited by Lynn Hershman-LeesonSeattle: Bay Press, 1996.
  • Alessio Chierico (Ph.D.) is an interdisciplinary artist, researcher, and lecturer with a background in contemporary art, design theory, and media studies. Chierico is currently a full professor at the Academy of Fine Arts of Frosinone, where he
  • María Fernández is Associate Professor in the Department of History of Art and Visual Studies at Cornell University and currently serves as Director of Graduate Studies. She received her doctorate in art history from Columbia University in 1993. Her
  • Anker, Suzanne. Gene Culture: Molecular Metaphor in Visual Art Leonardo 33 , no. 5 (2000): 371-375.
  • Anker, Suzanne. Gene Culture: Molecular Metaphor in Visual Art Leonardo 33 , no. 5 (2000): 371-375.
  • Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
  • Anker, Suzanne. Gene Culture: Molecular Metaphor in Visual Art Leonardo 33 , no. 5 (2000): 371-375.
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  • Julie Freeman works with natural systems and emergent technologies. Her large scale installations and online artworks have, since the early 1990s, pioneered her conceptual and critical approach to working with real-time data as a living and
  • Hamilton Mestizo work primarily explores the interfaces of arts, science and technology and their critical, ecological, and social-political implications. In the last decade, Mestizo has combined his artistic practice with education and research