Archive Search

  • Graham, Beryl and Carol Brown, ed. Serious Games. London: Barbican Art Gallery and Tyne and Wear Museums, 1996.
  • Palmer, Daniel. The Art of Real Time In Politics of a Digital Present: An Inventory of Australian Net Culture, Criticism and Theory, edited by Hugh Brown and Geert Lovink and Helen et. al. Merrick, 215-223. Melbouren, AUS: Fibreculture, 2001.
  • Grieder, Terence. Artist and Audience. London: Brown and Benchmark, 1990.
  • Huhtamo, Erkki. The Brown-Urban-Joy Spirograph: A Postscript Early Popular Visual Culture (July 30, 2014).
  • Richard Brown has a BSc in Computers & Cybernetics and an MA in Fine Art and creates interactive artworks using multi-media technology, computer programming, electronics and interfacing. Between 1995 and 2001 Richard was a Research Fellow at the
  • Sue Hawksley graduated from the Royal Ballet School in 1983. She has performed with Mantis, Scottish Ballet Steps-Out, Rambert Dance Company and Philippe Genty, working with choreographers such as Trisha Brown, Merce Cunningham, Richard Alston,
  • Ben Rubin is a media artist based in New York City. In 1993 he founded EAR Studio and in 2007 Mark Hansen joined him as creative partner. He has a BSc in Computer Science from Brown University and received an MSc in Visual Studies from the
  • Event: Archive&Innovate - Brown UniversityInstitution: Electronic Literature OrganizationComment:
  • Boredomresearch. Eternity´s Sun Rise In Tumbling Dream Chambers Exhibition Catalogue, edited by Paul BrownBerlin: [DAM] Berlin, 2007.
  • video 5,06' The round-shaped form in the process of constant transformation is based on the idea of simulating life at the molecular level. The structure, which periodically resembles a virus structure, complex proteins or carbon fullerenes, is