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  • Intermittent spaces -
    Keynote speaker: “Intermittent spaces.” LLC Sound Arts Visiting Practitioners Series. May 21, 2020. Organized by CRiSAP (Creative Research in Sound Arts Practice) and London College of Communication (LCC). University of the Arts London UAL.
  • "The Living Room" is an intelligent, interactive image, sound and voice environment. It becomes "alive" and starts to "sense" when users enter and interact with this room. Like in a perfect surveillance system all sounds, voices, gestures and
  • The next period in Seaman's oeuvre employed video as a poetic technological vehicle, exploring sound, image and text relations within a slow pulsing hypnotic video space. Both linear tapes and video installations were produced. The tapes S.He
  • Abominable Abdominal Wrinkles reffers to a Rrose Sélavy´s text: "Abominables fourrures abdominales".It belongs to a series of Writings produced by Duchamp based in the dadaist manner. The video (1 minute) plays with compactation of information
  • W E L C O M E T O M Y B R A I N The human brain has hitherto been considered a static organ with a fixed set of neurons that are being used up without ever being replaced again. Now research is discovering that the brain is an extremely dynamic
  • Sound plays an important role in the work of Janet Cardiff and George Bures Miller (Canadian, b. 1957; 1960) whose video Hill Climbing (1999) tracks an unseen couple and their dog as they struggle to climb up a snowy hill. The layered, binaural
  • Do-Undo -
    Do-Undo allows a participant to do perform movements in a spaceand immediately see the movements forwards and backwards. User Experience: The participant stands in a space in front of a camera and video projection system. On the screen
  • Feedback -
    Janet Cardiff's “Feedback” (2004) is an interactive sound piece that plays a Jimi Hendrix rendition of “The Star Spangled Banner” when the visitor steps on a wah-wah pedal. “Feedback” is a gift in honor of Rifkin by Tom and Kitty Stoner and
  • Contre Temps -
    When Olga Kisseleva was invited to do a performance at Louvre Lens, she analyzed the layout of the museum. The Louvre Lens building, which is made up of several elongated and slightly curved modules, seems both open (to viewing, to interpretation,
  • SCHWELLE II -
    Part II is a live dance theater performance with master improviser and former William Forsythe/Ballett Frankfurt dancer Michael Schumacher. During the fifty minute work, the spectators experience a person undergoing the traumatic transformation of