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Ellen Pearlman, Russia Tiptoes Into New Media, PAJ, MIT
Pre
ss, Vol. 35, No. 3, p. 49-54, September 2013
2013
...Pearlman,Ellen. Ellen Pearlman, Russia Tiptoes Into New Media, PAJ, MIT
Pre
ss, Vol. 35, No. 3, p. 49-54, September 2013 In PAJ: A Journal of...
Remediating Still Life, Pencils of Nature and Fingerprints
2013
... by Sean CubittLeonardo book series, , 275-307. Cambridge: MIT
Pre
ss, 2013.
Observations on an Art of Growing Interest: Toward a Phenomenological Approach to Art Involving Biotechnology
2008
... by Beatriz Da Costa and Kavita Philip, 83-103. Cambridge: MIT
Pre
ss, 2008.
Of Shadow & Light, 36p., English. World Wide Video Centre, Den Haag/NL
1993
... World Wide Video Centre, Den Haag/NL. Berlin: Stop Over
Pre
ss, 1993.
Worldmaking as Techné: Participatory Art, Music, and Architecture
2018
... Art, Music, and Architecture. Toronto: Riverside Architectural
Pre
ss, 2018.
Artistic Research on Life Forms: Exploring the Intersections of Science, Art and Life in the Context of Globalization
2008
... in the Context of Globalization LEONARDO, Art and Biology. MIT
Pre
ss Vol. 41, no. 5 (2008): 468 – 477.
Exhibition review: Transmediale. 08. Haus der Kulturen der Welt 9. janvier - 24. février 2008
2008
... Haus der Kulturen der Welt 9. janvier - 24. février 2008 Art
Pre
ss n° 344, Avril 2008 (2008): 73-74.
Immersion Into Noise
2011
...Nechvatal, Joseph. Immersion Into Noise. Ann Arbor: OPEN HUMANITIES
PRE
SS, 2011.
Moving Innovation: A History of Computer Animation
2013
... Animation. 1st Edition th ed.Cambridge, Mass. USA: MIT
Pre
ss, 2013.
Neosentience | The Benevolence Engine
2011
... | The Benevolence Engine. Bristol, United Kingdom: Intellect
Pre
ss, 2011.
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