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curlybot
1998
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1999
curlybot is an toy that can record and playback physical motion. As one plays with it, it remembers how it has been moved and can replay that movement with all the intricacies of the original gesture; every pause, acceleration, and even the shaking
Magnet
1997
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1997
... whilst
Artist
In Residence at...
Via Invisível (Invisible Via)
2011
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2011
It is a serie of panels in subway stations with small radio frequency sensors, commonly used in cell-phone pendants, sold in trinket stores. Those sensors are lighted when they capture the use of cell phones. Via Invisível has been exhibited in
Robin v02
2013
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2013
Archival Digital Print, Sizes: 8”x10” and 13”x19” Pigment Inks on cotton rag substrate or Light Jet digital photo prints. (Also available larger custom sizes or NFT by special order) Date created: 2013 This is a still image from one of Acevedo’s
Connection
2002
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2002
A series of video illusions for drivers is projected onto the front window of the Cartier Foundation, Boulevard Raspail, one of the main streets in Paris. The real-life scale of these videos gives drivers the impression that new streets have opened
Wine
1996
A delicate and silent animation. It suggests an inebriate mental state in which foreground and background blend in almost undifferentiated fashion. The poem articulates the fleeting apparitions of the words from within themselves, as if one word
Creation Myth
1985
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1985
Creation Myth describes the birth of a new environment utilizing unique fractal and particle system software. It was designed for exhibition on Palladium's 50 monitor video display system. (Rebecca Allen)
Intervention Mit Drei Hunden
2000
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2000
An expressive interaction between three dogs making comment on a debate over the changing position of art within Europe. Three pure-bred German Shepherds were chained at three different locations in the space. These locations were their territory to
Yasuaki Matsumoto
Lives and works in Osaka, Japan until 1982 he studied at the Kyoto City University of Arts, Japan. Since 1991 he has been collaborating with Masayuki Towata in their group "Intertextuality" Currently he is working at the department of Fine Arts at
Brian Reffin Smith
Working with computer based arts since the late 1960s. There should be humour and politics, at least sometimes, in art. Especially the humour and politics of digital art. I think art should be a more or less systematic enquiry whose goal is
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