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Sophie Taeuber-Arp's Vanishing Lines
2015
Sophie Taeuber-Arp's Vanishing Lines Myriam Thyes, 2015, animation, HD video, 10:10, loop, stereo. Sound: Silvia Pachler. In what is, prima facie, a mesh of abstract lines, no few of the works that Sophie Taeuber-Arp completed between 1940 and 1942
Arabesque
2007
video
With "Arabesque" I have concerned myself not only with the sculpting of three dimensions but also with a fourth, the dimension of time. I have endeavored to create a sculpture that evolves transforms and even regresses. An artwork that falls
FERROCRYSTALS
2014
Laser-cut and digital print on plexiglass, projected light variable dimensions Photosensitive images are based on microscopic images of the nanoparticles of a magnetic fluid’s crystallized structure. Digitally processed and laser-treated images of
Deliberately Distorting the Digital Mechanism
2003
Matthew Mirapaul. Deliberately Distorting the Digital Mechanism New York Times (21 April 2003).
“ 2020 “Revelation of Eve Clone”: Lin Pey-Chwen +Digital Art Lab, Tainan Art Museum, Tainan, Taiwan
2020
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2020
Revelation of Eve Clone : Lin Pey-Chwen Digital Art Lab Exhibition Artist |Pey-Chwen Lin Curator |Ming Turner Place|Gallery K – Gallery L, Tainan Art Museum Building 2 Organizer| Tainan Art Museum Special Thanks to B.B.ART, Yiiisu Co., Ltd., Cmie
Monogram
1996
August 22, 1997 (Kennedy Space Center, Florida)— A Jet Propulsion Laboratory technician inserts the DVD containing Kac's Monogram and many other files into a shallow cavity between two pieces of aluminum that protected it from micrometeoroid
Denisa Kera
Denisa Kera is a philosopher and designer based in Singapore and Prague working on open science and citizen science issues. She is involved in various open hardware projects with emphasis on supporting research infrastructure in the Global South.
Time in between
2014
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2014
Time in Between features urban views from both Taipei and Paris. It documents a compressed 24 hours in these two places with 24 locations and 24 Taiwanese people strolling in Paris. By seamlessly overlaying urban images from the two cities at
Is There Any Room for Me Here?
1988
IS THERE ANY ROOM FOR ME HERE? "This black-and-white video is based around the image of a sparsely furnished apartment at nighttime, using light and shade effects - of a subtlety and delicacy that recalls the brush strokes in a Chinese ink drawing -
LEVITATION & LUMINA
2007
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2008
Plexiglass, resin or light reflection, light projection, reflective foil variable dimensions 'Uršula Berlot’s work develops out of the evanescence of perception, predominantly delving into the realm of optics. Reflections and shadows produce
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