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Naturalia et artificialia 2016 - 2016

ECCENTRIC Art & Research is pleased to present its first exhibition in Milan, opening on October 12, 2016. The exhibition features the work of all its represented artists up-to-date: Ivana Adaime Makac, Jamie Allen, Tomislav Brajnović, Sarah Ciracì,
Humanisation et naturalisation des technologies : de l’interactivité aux systèmes enactifs-affectifs 2022 - 2022

The human-technology relationship opens up a new environment linked to the effects of technologies on our lives and causes an anthropological revolution through the presence of interactive systems that modify our perception of the world. In the last
Watchers 1996

"Watchers" are ambient light sculptures concerned with the rhythmic nature of television light and how it is used to seduce and compel the viewer into a kind of hypnotic and passive inaction. Detection of movement has been at the core of our
TOWARD THE NATURALIZATION OF TECHNOLOGIES IN ONTOLOGICAL LEVELS OF ART AND TECHNOSCIENCE: THE REENGINEERING OF LIFE AND INNOVATIVE TECHNOLOGIES BY ENACTIVE AFFECTIVE SYSTEMS 2020

DOMINGUES, DIANA MARIA G. TOWARD THE NATURALIZATION OF TECHNOLOGIES IN ONTOLOGICAL LEVELS OF ART AND TECHNOSCIENCE: THE REENGINEERING OF LIFE AND INNOVATIVE TECHNOLOGIES BY ENACTIVE AFFECTIVE SYSTEMS Anilla Cultural , no. 1 (2020): 75.
Ouroboric perception and the effects of enactive affectivesystems to the naturalization of Technologies. 2016

DOMINGUES, DIANA MARIA G. Ouroboric perception and the effects of enactive affective systems to the naturalization of Technologies. Media-N, Journal of the New Media Caucus 16 (2016): 20.
Rituels Énactifs Affectifs et La Naturalization des Technologies: entre le corps et le calcul, la transe et l’algorithme 2022

DOMINGUES, DIANA MARIA G. Rituels Énactifs Affectifs et La Naturalization des Technologies: entre le corps et le calcul, la transe et l’algorithme In Pour un imaginaire numérique avec Edmond Couchot, edited by Marie-Hélène TRAMUS and Sophie DASTE
The clarity of Edmond Couchot's thought: from interactive rituals to affective enactive systems conducive to the naturalization of technology 2022

DOMINGUES, DIANA MARIA G. The clarity of Edmond Couchot's thought: from interactive rituals to affective enactive systems conducive to the naturalization of technology In For a digital imagination with Edmond Couchot. Hybridizations between the
Affective Enactive Rituals and The Naturalization of Technologies: “between the body and calculation, trance and algorithm” 2022 - 2022

Documentary. In: For a digital imagination with Edmond Couchot, exhibition catalogue. * . In:TRAMUS, Marie-Hélène,DASTE, Sophie,SOHIER, Rémy Sohier, Emmanuel and ROLAND Dominique)CUISINIER, Emmanuel, and ROLAND Dominique (Commissariat)
Sottovoce 2002 - 2002

The title 'sottovoce' is a musical term derived from the Italian "in a barely audible voice, a whisper" and alludes to the whispered and haunting nature of the Sottovoce's voice-over. This menacing evocation of events leading up to a
100 Days - 100 Imachinations 2002 - 2002

Peter Weibel (head of the ZKM Karlsruhe) describes one of the major qualities of the Imachination project as follows: Emerging at the same time dislocated in different places the Imachinations are both - either original or copy. One image is not

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