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  • Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In Images du Futur – L’art interactif, edited by M. Ginette and Hervé Fischer, 30-31. Montreal, Canada: 1995.
  • Laura Netz (Barcelona, 1982). Curator, artist, and researcher. Currently, she is an MPhil student at CRiSAP – UAL, where studies the new tendencies in curatorial practices in sonic arts. In 2006, she graduated in Art History (University of
  • "Ten Thousand Cents" is a digital artwork that creates a representation of a $100 bill. Using a custom drawing tool, thousands of individuals working in isolation from one another painted a tiny part of the bill without knowledge of the overall
  • Zapp, Andrea. The Metaphor of Touch – Identification, Personality and Contact within the Screen In 6th International Symposium on Electronic Art, ISEA, Proceedings, , 322-324. Montreal, Canada: 1996.
  • Davies, Char. Natural Artifice In Virtual Seminar on the Bioapparatus, edited by Mary Anne MoserBanff, Canada: The Banff Centre for the Arts, 1991.
  • The encounter between two images randomly downloaded from Flickr is a logical articulation of and,or,implies,if...then,if and only if,only if,just in case,but,however,not both,neither...nor ----- Gregory Chatonsky is an artist born in Paris.
  • Lozano-Hemmer, Rafael. Virtual Reality In Bioapparatus, Banff, Alberta, Canada: The Banff Centre for the Arts, 1991.
  • “Surface Tension” is a collaborative interdisciplinary work for disklavier piano and interactive video created by pianist Eve Egoyan and artist David Rokeby. It was commissioned by the Open Ears Festival with a grant from the Canada Council. It was
  • Erika Batdorf creates a portrait of her mother, Thaya Whitten, a painter who toured Canada in the 60’s doing controversial performance art. Through the use of biosensors, this interactive theatrical two-hander explores the meeting point of madness
  • National Gallery of Canada and Ottawa Canadian Museum of Contemporary Photography, ed. George Legrady - From Analogue to Digital: Photography and Inactive Media. Ottawa, Canada: 1997.