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  • Seeing Double -
    The exhibition is structured primarily around the discourse of vision and optics and centered around a new eight-minute anamorphic film, titled What Will Come (2006), which takes its title from a Ghanaian proverb: "What will come has already come."
  • Rectilinear Displacement -
    Rectilinear Displacement positions the viewer in an extended mechanical linear motion - of up to 40 metres - through an exhibition space. At the same time, the user is visually immersed in a virtual space that is projected on a spherical screen. The
  • Decode: Digital Design Sensations -
    Decode: Digital Design Sensations showcases the latest developments in digital and interactive design, from small, screen-based, graphics to large-scale interactive installations. The exhibition includes works by established international artists
  • The Scale of Immersion : Different audio-visual experiences exemplified by the 360° video Secret Detours
    Reinhuber, Elke and Benjamin Seide and Ross Williams. The Scale of Immersion : Different audio-visual experiences exemplified by the 360° video Secret Detours Electronic Visualisation and the Arts (Juky 2018): 236-243.
  • The Scale of Immersion : Different audio-visual experiences exemplified by the 360° video Secret Detours
    Reinhuber, Elke and Benjamin Seide and Ross Williams. The Scale of Immersion : Different audio-visual experiences exemplified by the 360° video Secret Detours Electronic Visualisation and the Arts (July 2018): 236-243.
  • Scan Sweep Swipe Wipe
    Scan Sweep Swipe Wipe investigates the possibilities of volumetric imagery; imagery that can literally be seen 'in the air' in three physical dimensions. The goal of the work is not generating a realistic three-dimensionality that represents reality
  • Modalities of Interactivity and Virtuality
    Shaw, Jeffrey. Modalities of Interactivity and Virtuality Scan+ Electronic Media Arts 4 (1993): 19-20.
  • Nuit Blanche -
    This experimental video uses 4 different sources for an installation of 25 screen: the electronic Graph-8 palette, coupled with an Apple2C computer, a Slow-Scan equipment, a text generator, a Time Base Corrector and a videocamera recording a live
  • Zonas de contactoArt History in a Global Network -
    Twenty years ago, Mary Louise Pratt proposed the notion of a “contact zone” as a place where culture is negotiated and challenged. Art can bridge or destabilize disciplines and methods in ways that reframe histories and bring new insights. Still, on
  • Navigating and Negotiating Sound Architectures of the Night -
    On May 17, 2016, in EMPAC’s Goodman Studio, an evocative multi-media black box theatre work was presented that engaged the poetics of night. Ninety-two abstract architectural models interact on a luminous glass-surfaced interface-table to produce a
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