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Gaze and Graze
2022
-
2023
Gaze and GrazeArtist: Yun-Ju ChenComment:
FABRICATION: EXAMINING THE DIGITAL PRACTICE OF ARCHITECTURE
2004
Beesley, Philip and Nancy Yen-Wen Cheng and R. Shane Williamson, ed. FABRICATION: EXAMINING THE DIGITAL PRACTICE OF ARCHITECTURE. Toronto: Riverside Architectural Press, 2004.
The Strengths of Nations
2006
In this impressive poster developed by Dick Klavans and Bradford Paley, with the help of Kevin Boyack and ISI data, one can see the variations in how different nations pursue science. The concept is not only ingenious but also takes full advantage
Evelina Domnitch
mitry Gelfand (b.1974, St. Petersburg, Russia) and Evelina Domnitch (b. 1972, Minsk, Belarus) create sensory immersion environments that merge physics, chemistry and computer science with uncanny philosophical practices. Current findings,
Speaking Subject — Lin Pey- Chwen’s Eve Clone
2014
Fang-Ho, Cheng. Speaking Subject — Lin Pey- Chwen’s Eve Clone Artist Magazine (2014): 404-407.
The Gaze from the Apocalypse
2016
Cheng-yu, Pan. The Gaze from the Apocalypse Art Accrediting, Kaohsiung Museum of Fine Arts , no. 67 (2016).
Andrew Carnie
Is an artist and academic. He is currently part of the teaching team in Fine Arts at Winchester School of Art, University of Southampton, England. He was born in 1957. He studied chemistry and painting at Warren Wilson College, North Carolina, then
Cheng-Yu Pan, “The Gaze from the Apocalypse”
2015
Cheng-Yu Pan. Cheng-Yu Pan, “The Gaze from the Apocalypse” “The Gaze from the Apocalypse” (2015).
Fang-Ho Cheng, “Speaking Subject—Lin Pey-Chwen’s Eve Clone”
2017
Fang-Ho Cheng. Fang-Ho Cheng, “Speaking Subject—Lin Pey-Chwen’s Eve Clone” “Speaking Subject—Lin Pey-Chwen’s Eve Clone” (2017).
Chengdou Biennale 2021, China
2021
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2022
Exhibition location: Chengdu Contemporary Art Museum, Tianfu Art Museum, China Chief Curator: Fan Di'an Director of Academic Committee: Lu Peng
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