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Huhtamo, Erkki. Elements of Screenology : Toward an Archaeology of the Screen Iconics: International Studies of the Modern Image 7 (2004): 31-82.

Burns, David R.. Virtual Borders and Surveillance in the Digital Age International Journal of Media and Cultural Politics 3, no. 3 (2007): 325-341.

Huhtamo, Erkki. The Brown-Urban-Joy Spirograph: A Postscript Early Popular Visual Culture (July 30, 2014).

Casares, Nilo. La restauración del significado. Arte, otra vez. Vol.1. 1ª th ed.Valencia, Spain: Institució Alfons el Magnánim, 2004.

Kisseleva Olga, ed. Art et biodiversité : un art durable ? PLASTK Art&Science #4. Paris, France: Pantheon-Sorbonne University, 2014.

Illouz Audrey. Olga Kisseleva: atelier de production. Paris: Centre Photographique Ile de France (CPIF), 2009.

Marguerin Mathieu. « Une voyante m’a dit », Keur Thiosane – Artfactories,. Dakar, Senegal: 10th Biennial of Contemporary Art, 2012.

Benayoun, M.. La création transactionnelle, Architecture du système In/Out de Création P2P http://www.academia.edu/35833643/La_cr%C3%A9ation_transactionnelle_Architecture_du_syst%C3%A8me_In_Out_de_Cr%C3%A9ation_P2P.

Berlot, Uršula. Minimal difference and modern mimesis Likovne besede/Art Words. Ljubljana: ZDSLU 103 (2016).

Domjan, Alenka. Slika: Prehajanja/Painting: Transfigurations Celje: Zavod Celeia, Center of Contemporary Art (2009).