Archive Search

Perissinotto,Paula & Barreto,Ricardo, ed. FILE Vitória 2017: toque aqui. Vol.1000. 1 th ed.São Paulo: Paula Perssinotto & Ricardo Barreto, 2017.

Chierico, Alessio, ed. Investigations on the Cultural Economy of Media Art. Milan: Digicult Editions, 2017.

Moore, Lila. Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness Technoetic Arts: A Journal of Speculative Research 15, no. 3 (December 2017): 325-339.

Moore, Lila. The Transcendent Double Selfie App Proceedings of Taboo-Transgression-Transcendence in Art and Science Conference, Ionian University, Department of Audio & Visual Arts: Corfu, Greece (2017): 229-236.

Sanchez Cardona, LM. An image no for the eyes made with words not for the ear In Folios Reverberations: Art and Sound in the MUAC Collections, edited by Israel MartínezMexico: University Museum of Contemporary Art MUAC, 2017.

Grau, Oliver and Wendy Coones and Viola Rühse, ed. Museum and Archive on the Move. Changing Cultural Institutions in the Digital Era.. Berlin: De Gruyter, 2017.

Anker, Suzanne. Three Questions: A Holy Trinity or Three Blind Mice Institutional Critique to Hospitality: Bio Art Practice Now (May 2017): 37-50.

Fang-Ho Cheng. Fang-Ho Cheng, “Speaking Subject—Lin Pey-Chwen’s Eve Clone” “Speaking Subject—Lin Pey-Chwen’s Eve Clone” (2017).

Chih-Yung Aaron Chiu. Chih-Yung Aaron Chiu, “God’s Will or Human Desire The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series” “God’s Will or Human Desire The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series” (2017).