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  • WRINGER/WASHER TV is a pink, white and chrome wringer washer which has a colour monitor fitted in the bottom of the wash tub facing up. This installation deals with the issue of abortion in Canada, interspersing opinions and arguments with video
  • Dove, Toni and Michael Mackenzie. Archeology of a Mother Tongue In Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser and Douglas MacLeodBanff, Canada: Banff Centre for the Arts, 1996.
  • Shaw, Nancy. Cultural Democracy and Institutionalized Difference: Intermedia, Metro Media In Mirror Machine: Video and Identity, edited by Janine Marchessault, 26-34. Toronto, Canada: YYZ Books, 1995.
  • Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing In Images du Futur – L’art interactif, edited by M. Ginette and Hervé Fischer, 30-31. Montreal, Canada: 1995.
  • Laura Netz (Barcelona, 1982). Curator, artist, and researcher. Currently, she is an MPhil student at CRiSAP – UAL, where studies the new tendencies in curatorial practices in sonic arts. In 2006, she graduated in Art History (University of
  • "Ten Thousand Cents" is a digital artwork that creates a representation of a $100 bill. Using a custom drawing tool, thousands of individuals working in isolation from one another painted a tiny part of the bill without knowledge of the overall
  • Zapp, Andrea. The Metaphor of Touch – Identification, Personality and Contact within the Screen In 6th International Symposium on Electronic Art, ISEA, Proceedings, , 322-324. Montreal, Canada: 1996.
  • Davies, Char. Natural Artifice In Virtual Seminar on the Bioapparatus, edited by Mary Anne MoserBanff, Canada: The Banff Centre for the Arts, 1991.
  • The encounter between two images randomly downloaded from Flickr is a logical articulation of and,or,implies,if...then,if and only if,only if,just in case,but,however,not both,neither...nor ----- Gregory Chatonsky is an artist born in Paris.
  • Lozano-Hemmer, Rafael. Virtual Reality In Bioapparatus, Banff, Alberta, Canada: The Banff Centre for the Arts, 1991.