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  • PLACEHOLDER was a virtual environment project designed by Brenda Laurel and Rachel Strickland and produced by Brenda Laurel. Placeholder was a two-person fully interactive virtual-reality system, utilizing stereoscopic head-mounted displays,
  • Echoing Narcissus -
    Echoing Narcissus is an interactive sound-sculpture in the form of a well, covered in copper sheet and printed circuit boards. It is a re-telling of Ovid's myth of Narcissus and Echo. All sounds made in the proximity of the sculpture are
  • "Music Plays Images x Images Play Music" is a multi-media concert that uses the system of Toshio Iwai's piano piece and visualizes a musical performance by Ryuichi Sakamoto in real time. The idea for this collaborative performance has its
  • Interactive acoustic sculpture and video Physical and virtual installation Act 14 of the "Mécanique des émotions" Still Moving is an experimental installation consisting of an interactive acoustic sculpture and a realtime video projection. The
  • The audio-visual environment “Web of Life” is formed by an immersive conjunction of projected three-dimensional computer graphic and video images, together with a fully spatialized acoustic experience and a specially conceived architectural
  • Der Schrei
    A yellow, two-meter-high siren slowly rotates around its own axis and produces a constant, penetrating, cyclical stream of sound that is modulated by the turning of the horn. Its powerful acoustic waves cause objects in the exhibition space to
  • Walk Münster -
    Walk Münster, Park I Location: Münster inner city The artist has created for the exhibition visitor an individual Walkman-tour through the inner city of Münster, wherein she draws from the didactic form of guided audio tours. Instead of a
  • Fleischmann, Monika and Wolfgang Strauss. Shades of Virtuality In Virtualities and Realities, edited by Rasa Smite and Raitis SmitsVol.Acoustic Space, Vol. 17. ISBN 978-9934-8434-7-1, Riga: RIXC Center for New Media Culture, 2019.
  • Sound sculptor and media artist Timo Kahlen (*1966) chooses to work with the ephemeral: with wind and steam, with light and shade, with pixels and dust, with sound, noise and vibration. His work has been shortlisted for various renowned
  • Pearlman, Ellen. The Approaching Storm Open Fields, Virtualities and Realities, Acoustic Space Journal 18 (2018).