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...The Morph MeadowArtist: Chris HalesComment:

...ToyboxArtist: Chris HalesComment:

...This collection of experimental interactive movies, made by the artist over several years, shows live-action works in which the visual metaphors for interaction are inherent in the filmic material. Because the movies are conceived from a visual approach, script writing...

...The Twelve Loveliest Things I KnowArtist: Chris HalesComment:

...GrandadArtist: Chris HalesComment:

...The next interactive piece, DEEP CONTACT (1989), directly involves the body of the viewer/participant who were required to touch the computerscreen. Viewers choreograph their own encounters in the vista of voyeurism by actually putting their hand on a touch sensative...

In 1830, both the camera and the colt revolver were invented. more than a half century later, in 1888 Etienne Jules Maray perfected a gun that substituted film for bullets. There has long been a historical relationship between the camera and the

... This piece uses reflection as a means of portraiture and reflected self portraiture. Though obscured and distanced, the artists reflection watches from behind the central figures. PARANOID MIRROR engages ideas of reflection, tracking, surveillance and...

... connections. Roberta, on the other hand, has only one cyborgian eye that performs both functions, which has the effect - particularly on close examination - of making her appear even more obviously mechanized. Physical Reflections Viewers in the...

The Difference Engine #3 uses the architecture of the ZKM Media Museum as a 3D template and the visitors to the museum as the interface. It is an interactive, multi-user, sculpture about surveillance, voyeurism, digital absorption and spiritual