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... appear multiple times, or disappear. They hand-selected video images with this in mind, then matched the frames together digitally, then printed in larger, more efficient batches. The result was not quite a gigapixel image but rather a 30,000 by 7,000...

... reflected by polished surfaces distorted by world's emotions Like the Frozen Feelings, the plates of aluminium are digitally carved on the model of world emotions maps. Video, TV news, emotions maps are projected using this surface as a...

...1988, after completing the "Mobiles" series, Waliczky made a five minute computer animation which he called PICTURES. Based on a set of digitally manipulated snapshots from a family photo album, the work is like a slide show in virtual form: details from the first...

..."Mutatis mutandis" is an interactive computerised installation. It’s hypermedia project realised from digitalized video images and sounds. It addresses issues concerning poetry and philosophy, and explores the language of interact ivity in the making. The title is a...

... apparatuses used by the U.S. Border Patrol to search out and capture illegal immigrants crossing over from Mexico, then digitally edited and supplemented with computer effects. Heatseeking suggests, in the artist's words, "an observing network at...

... an acute question about the relation between thought and matter, work and art, assessment and control, as keys in our new digitally enhanced power over the physical world. The project narrates a new relationship between humans and machine. It raises...

... an acute question about the relation between thought and matter, work and art, assessment and control, as keys in our newly digitally enhanced power on the physical world. The project narrates a new relationship between humans and machine. It raises...

... The 1995 New Year's Eve synchronicity underscores my continuing interest in everyday life as seen, recorded and then digitally re-visioned into a kind of meta-physical photographic archive.

...video 6,’42 Images of material objects (sculptures by Alen Ožbolt) are digitally processed and projected into virtual, fluid spatiality, appearing as dematerialised floating, kinetic light forms, freed of the constraints of time, mass and gravity.

... Site specific video installation; variable dimensions The installations Kaleidoscopic Gaze and Spiral Floating are based on digitally- processed radiological images of my brain activity while contemplating Duchamp’s Anemic Cinema, which was conceived as an...