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Sul rapporto tra immagine e musica
2004
Abbado, Adriano. Sul rapporto tra immagine e musica (2004).
Blast
1991
-
1996
From its beginning in 1990, Blast has set out to explore contemporary texts and images and their accompanying practices of reading, viewing, and authoring. Blast has conducted these explorations in terms of a publication, investigating the changing
Arte audiovisiva
1999
Abbado, Adriano. Arte audiovisiva (1999).
Tempo reale e tempo reale speciale
1990
Abbado, Adriano. Tempo reale e tempo reale speciale (1990).
Dataglove and Audiovisual Art
1990
Abbado, Adriano. Dataglove and Audiovisual Art (1990).
Perceptual Correspondences of Abstract Animation and Synthetic Sound
1988
Abbado, Adriano. Perceptual Correspondences of Abstract Animation and Synthetic Sound (1988).
Immagini con il computer: le tecniche, l’arte
1985
Mordà, Claudio and Gianluigi Rocca and Adriano Abbado. Immagini con il computer: le tecniche, l’arte. : Arnoldo Mondadori Editore, 1985.
Immagini con il computer: le tecniche, l’arte
1985
Abbado, Adriano and Gianluigi Rocca and Claudio Mordà. Immagini con il computer: le tecniche, l’arte. : Arnoldo Mondadori Editore, 1985.
Conquistadores
2007
-
2007
The digital animation "Conquistadors" examines the tensions and conflicts that define the Russian territory in the age of privatization. The artist reflects on current modes of domination, both foreign and domestic, on the Russian territory, and
Adriano Abbado
Adriano Abbado has always been interested in non-
verba
l communication. In 1972 he made his first experiments with photography and environmental sounds. In 1977 he graduated in Electronic Music Composition at the Conservatory of Milan. In 1981 he
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