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  • ... torch lights and prying gaze, are positioned as the ‘other’, forced to experience the anomalies of a perceptual disequilibrium that...
  • ... away from the real motif towards the abstract one using form and colour on two levels: colour (the RGB colour model), is...
  • ... and artists. I think a lot about issues of programming for non-programmers. I am best known for my generative computational...
  • ...Salter, Chris. Timbral Architecture | Aurality´s Force: Music and Sound in the Choreographies of William Forsythe In William Forsythe and the...
  • ... longer called ‘international media art festival’, but ‘festival for art and digital culture’. This name is supposed to demonstrate the step...
  • Forced Leisure -
    ... glitches, which are used to treat the proband. Time frames for leisure are premeditated in our society, imitating the way we live...
  • ... Prague took him to England and then Brazil. Later, he lived for many years in Italy, Switzerland and in France. This exhibition...
  • ... In her work, sound serves both as a medium and a catalyst for introspection. Her sound installations encourage viewers to...
  • ...The video work stillalive is a commission for the Kunsthaus Graz and the exhibition ‘Faking the Real’. The concept was to produce an artistic...
  • Transarchitectures -
    ... qu'il ne passe à l'acte. Un non-espace non-matière. Il prend forme en s'actualisant. L'architecture du virtuel c'est à la fois...