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  • Leuchtgehirne, Bakteriengoldgräber und DNA-Photoshopping: Kunst mit Biomedien und jenseits der Artengrenzen
    ... Bakteriengoldgräber und DNA-Photoshopping: Kunst mit Biomedien und...
  • Die Spur des Betrachters im Bild
    Fleischmann, Monika. Die Spur des Betrachters im Bild Vom Tafelbild zum globalen Datenraum 1, no. ISBN 3-7757-1077-9 (June 2001): 138 - 149.
  • Die Spur des Betrachters im Bild
    Fleischmann, Monika. Die Spur des Betrachters im Bild Vom Tafelbild zum globalen Datenraum 1, no. ISBN 3-7757-1077-9 (June 2001): 138 - 149.
  • Joachim Blank
    ... wie Laserschnitte und Photoshopfilter mit industriell...
  • Morphogenesis -
    concept The installation is about the evolutionary developement of a three dimensional organic form. it consists out of two coupled systems. one system exists in real space, visitors interact with a virtual organic projected onto a 4 by 3m back
  • SonoMorphis - video
    An organic object is projected in front of the visitors. By means of a control mechanism the user can rotate the object in all directions and observe it from various perspectives. Control sliders allow the viewer to vary diverse parameters of the
  • Sono reMorphed video
    As one of the installation's aesthetic goals is the bodily impression of the generated object on the user, a sound synthesis technique was in demand, that is able to both render a visible object's genuine sound thru all its user-inferred alterations
  • The Art of the Thinking Space
    Strauss, Wolfgang and Monika Fleischmann. The Art of the Thinking Space In Digital Creativity, edited by Anthony BrooksVol.31:3. DOI: 10.1080/14626268.2020.1782945, , 156-170. London: Routledge, 2020.
  • The brain as a site specific performative space
    Ellen Pearlman. The brain as a site specific performative space https://tandfonline.com/doi/full/10.1080/14794713.2015.1084810.
  • Machine for Taking Time -
    This installation is asite-specific work in progress. A colour surveillance camera has been mounted outside the gallery on a computer controlled pan/tilt mechanism, allowing it to see most of the surrounding gardens. Every day since March 28, 2001,
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