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  • Mandl/ Krautgasser
    Annja Krautgasser is a media artist and architect who has been teaching on architecture, media, and the public at the Academy of Arts in Linz, and is an assistant at the Technical University in Graz, Austria. Rainer Mandl, born 1968, is a web and
  • Gene Culture: Molecular Metaphor in Visual Art
    Anker, Suzanne. Gene Culture: Molecular Metaphor in Visual Art Leonardo 33 , no. 5 (2000): 371-375.
  • Expression of Emotion, Unconsciousness with Art and Technology
    Tosa, Naoko. Expression of Emotion, Unconsciousness with Art and Technology In Affective Minds, edited by Giyoo Hatano and Naoyuki Okada and Hiritaka Tanabe, 183-201. Philadelphia: Elsevier Science Health Science Division, 2000.
  • Art Impact, La mémoire partagée à perte de vue
    Benayoun, Maurice. Art Impact, La mémoire partagée à perte de vue Ecart , no. 2 (2000).
  • kondition pluriel
    kondition pluriel is an interdisciplinary digital performance group founded by choreographer Marie-Claude Poulin and media artist Martin Kusch in 2000. Integrating body-based performance and digital arts, the artists generate a language outside of
  • Martin Kusch
    Martin Kusch is particularly interested in the influence of digital technologies on our way of thinking and on our perception of the body and space. Following his studies in art history, philosophy, and painting in Berlin and in media art with Peter
  • Standby Deliver
    Rinaldo, Kenneth. Standby Deliver Leonardo Electronic Almanac 33, no. 4 (2000).
  • Life Spacies II
    Sommerer, Christa and Laurent Mignonneau. Life Spacies II In Ars Electronica 2000 - Next Sex, edited by Gerfried Stocker and Christine Schöpf, 392. Vienna, New York: Springer Verlag, 2000.
  • Telepräsenz: Eduardo Kac und Ken Goldberg
    Dreher, Thomas. Telepräsenz: Eduardo Kac und Ken Goldberg IASL online Internationales Archiv für die Sozialgeschichte der deutschen Literatur (April 4th 2000).
  • Christina Kubisch
    Christina Kubisch was born in Bremen in 1948. She studied music, painting and electronics. Performances and concerts until 1980, subsequently sound installations, sound sculptures and work with ultraviolet light. Numerous grants and awards, such as
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