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Conversations @ the Studio
2005
video
Conversations@the Studio presents a natural navigation of a real-world situation—a contemporary glass craftsman’s studio. By displaying a 360-degree global video recording, made on location at the glass blowing studio, it provides the tele-present
Sono reMorphed
2007
video
... in a plausible way, and to be abstract enough where needed to
not
duplicate a real-world artefact. The technique of choice is known...
E-Scape Today
2012
video
... now so disconnected from the materiality of goods that we can
not
expect it to consider the human feelings as a valuable, negotiable...
divisible Instanbul
2012
Rackham, Melinda. divisible Instanbul real time , no. 106 (December 2011/January 2012): 22-23.
New Screen Media
2002
Legrady, George. New Screen Media In The Dynamics of Real and Virtual Space Audience Dialogue, edited by Martin Rieser and Andrea ZappKarlsruhe, London: ZKM and BFI London, 2002.
Connection
2002
-
2002
... even more disconcerting because these new passages lead to a
not
her part of the world: Nevski Prospect in Saint Petersburg.
Mark Reaney
Mark Reany is a pioneer in virtual reality theater and the Director of the Institute for the Exploration of Virtual Realities in the University of Kansas. He produced virtual scenarios, avatars, telepresence and real-time simulations in theatrical
Eau de Jardin
2004
-
2004
video
"Eau de Jardin" is an interactive installation which transports visitors into the imaginary world of virtual water gardens. The image of "Eau de Jardin" consists of a triptych, a three-sided projection screen onto a 12 x 3 meters vaulted screen
Swarming Lounge 2.0
2022
Mixed-reality installation with live and virtual performers, encountered via the smartphones of the visitors. Real and virtual situations come together, and micro-narratives emerge, based on shifting degrees of presence, traces of daily gestures and
1,4..19
2013
-
2014
... options, the other ones remain unrealized. However, we see
not
only its actual route, but also all of its unrealized options in...
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