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Augmented Interventions: Re-defining Urban Interventions with AR and Open Data
2018
... Reality Art:
From
an Emerging...
Day of the Figurines
2006
-
2006
... challenge
from
such games.'...
Epiphanies
2001
-
2001
video
... and feeds itself
from
Google’s database...
Quarxs, dessins et vidéos
2011
-
2011
L’exposition à la médiathèque George Sand présente le travail vidéo de Maurice Benayoun - La série Quarxs réalisée entre 1990 et 1993 en collaboration avec le dessinateur de bandes dessinées François Schuiten et l'écrivain Benoît Peeters. une des
Dejan Grba
Dejan Grba's research in new media art combines mutually inspired artistic and theoretical work. In art projects, he explores the creative, technical and relational aspects of generative systems by defining new ways to interrelate the material and
ICONOgraphy
2003
ICONography is an independently curated exhibition exploring the computer icon (desktop or other) as a defining element of the entire construction of computational culture, and one that resonates strongly with the place of the computer icon in the
Parcours multimédia de l'Abbaye Royale de Fontevraud
2000
-
2000
Conception et direction artistique du projet Fresque numérique haute définition par Alain Escalle Conception muséographique des dispositifs interactifs Programmes multimedia en collaboration avec Hyptique Mise en musique du cloître
Explosions in the Sky
2008
-
2008
The video is a game between pressures: the atmospheric pressure, the artificial pressure and the digital com-pressure; the result are fragments, material, picture and sound units. The bottom and the top seems fighting but, in reality, this is their
Avatar
2007
-
2009
The photos are overlaps of avatars (images used in chat everyone chooses to represent themselves) of people i met chatting. I’ve chosen the virtual world of chat as a meeting place par excellence of contemporary, where everyone can put on fleeting
Pulse
1999
-
1999
Together the two projects, "p-Soup" and "Pulse", offer an experience of the special saturation and hue of monitor colours in varying combinations and continuous movement. The automation of image production is a fascinating dream born out of the
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