Archive Search

  • Sandin, Dan. EVL: Alive on the Grid In Ars Electronica 2001: TAKEOVER - Who´s doing the art of tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfWien, New York: Springer Verlag, 2001.
  • Meyers, Stephan and Dan J. Sandin and W. T. Cunnaly and Ellen Sandor and T.A. DeFanti. New advances in computer-generated barrier-strip autostereography Proceedings of the SPIE 1990 Symposium on Electronic Imaging, Stereoscopic Displays and
  • All Digital -
    2006 “All Digital” curated by Margo Crutchfield MOCA Museum of Contemporary Art Cleveland With works by JLynn Hershman Leeson, Charles Sandison, Christa Sommerer & Laurent Mignonneau, Anne-Marie Schleiner, John Simon, Paul Chan, Leo Villareal -
  • Sandner, Oscar, ed. Artist Austria a Roma: Rom suchen. Vienna, Bolzano: Folio, 1996.
  • Sandner, Oscar, ed. mediumBerge – Das Mallory Projekt. Vienna: Triton, 2002.
  • The work depicts gene editing technology CRISPR which has the potential to treat genetically caused diseases, for instance, autism. The PHSCologram sculpture shows different phases of CRISPR genome editing. The first panel shows Cas9 protein in
  • The PHSCologram is a homage to 'Have a Nice Day' produced in 2002 by Ellen Sandor in collaboration with Martyl Langsdorf’ the author of Doomsday Clock, originally designed for the cover of the Bulletin of the Atomic Scientists magazine in 1947. The
  • NaCl
    NaClArtist: Ellen SandorComment:
  • Working extensively with social-political context from the 1980s, in 1991 (art)n created »The Equation of Terror« which referred to the Gulf War. The work entailed animated mathematical equations and PHSColograms which depicted economic, biological
  • Cox, Donna J. and Ellen Sandor and Janine Fron. New Media Futures. The Rise of Women in the Digital Arts. Urbana, Champaign: University of Illinois Press, 2018.