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Peraica, Ana. Culture of the Selfie: Self-Representation in Contemporary Visual Culture. Theory on Demand, Amsterdam: Institute of Network Cultures, 2017.

Jamieson, Helen Varley. "We collaborate [t]here: processes of networked collaboration" - chapter in "Intersecting Art and Technology in Practice", eds. Camille Baker & Kate Sicchio.. Advances in Art and Visual Studies, New York: Routledge, 2017.

Parker, Kayla. On Location Screenworks 7, no. 3 (December 2017).

Parker, Kayla and Stuart Moore. On Location: landscape cinema and digital memory AVANCA | CINEMA 2017 (July 2017): 251-255.

NATASHA KURCHANOVA. Alexandra Dementieva: ‘All art is an interactive game. I am offering the viewer an opportunity to take an active part in the work’...

Pearlman,Ellen. Review of The Selected Letters of John Cage, Edited by Laura Kuhn, Leonardo On-Line Reviews. February.

Pearlman,Ellen. Noor: A Brain Opera Worlding the Brain Symposium (November 2017).

Pearlman, Ellen. Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre PAJ (Performance Arts Journal), MIT Press (May 2017).

Albuquerque, Beatriz. Critical Techniques: Theater Exercises for the Classroom In Art School Critique 2.0, edited by Richard JochumNew York: Teachers College, Columbia University, 2017.

Andres Burbano and Alejandro Duque. Friedrich Kittler: No hay Software y otros ensayos sobre filosofía de la tecnología. Caldas, Colombia: Universidad de Caldas, 2017.