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  • Computer Pieces 1981 -
    Digital video 20 mins, colour, silent A set of abstract computer animations based on recombinant geometries. (source: http://www.littlepig.org.uk/)
  • Ruth Schnell
    Ruth Schnell is an Austrian media artist, professor for media arts and curator. She has been working with computer-aided tools since the mid-1980s. Her artistic research focusses on examining the perception of images/sound/language in connection
  • Euopean Media Art Festival 1990
    To mark the start of the new decade, the European Media Art Festival presented a review of German experimental film and video art production from the 1980s, offering viewers the opportunity to see familiar works again and to perhaps rediscover and
  • Vidéo, la mémoire au poing
    Duguet, Anne-Marie. Vidéo, la mémoire au poing. Paris: Hachette litterature generale, 1981.
  • Artificial Intelligence
    Legrady, George. Artificial Intelligence Parachute (1981).
  • A History of the Bossa Nova
    Penny, Simon. A History of the Bossa Nova. Sydney, AUS: Institute for Oblique Studies, 1981.
  • L'Histoire de l'art est terminée
    Fischer, Hervè, ed. L'Histoire de l'art est terminée. Paris: Balland, 1981.
  • Micro Arts History 1984–85 Computer Generated Art and Stories: Computational art and story generators from the 1980s micro computer scene
    Geoff Davis. Micro Arts History 1984–85 Computer Generated Art and Stories: Computational art and story generators from the 1980s micro computer scene. Vol.1. 1 th ed.London: Story Software, 2019.
  • Between Zero and One
    Strauss, Wolfgang and Monika Fleischmann. Between Zero and One BETWEEN ZERO AND ONE (1988) by Monika Fleischmann and Wolfgang Strauss (MFWS) exemplifies generative art by exploring virtual space through systematic computational transformations of 3D
  • Citoyens-sculpteurs
    Fischer, Hervè. Citoyens-sculpteurs. Paris: Segedo, 1981.
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