Archive
Search
Artist Index
Institution Index
Thesaurus
[Default Title]
ADA Help
About
(current)
Magazine
Tools
Community
Feedback
Join
Theme
Theme
Light
Dark
Auto
Login
Login
Archive Search
Search
Date
1979–1989
1990–1995
1996–2000
2001–2005
2006–2010
2011–2015
2016–2020
2021–now
Genre
Digital Animation
Digital Graphics
Net Art
Social Network
Database Art
Bio Art
Digital Performance
Nano Art
Robotics
Telematics
Installations
Game Art
Glitch Art
Digital Activism
Events
Festival
Exhibition
Other
Conference
Reset
Artist
Scholar
Work
Work with Video
Literature
Institution
Event
Feature
All Categories
1
…
(more)
145
146
147
148
(current)
149
(more)
1056
sort by relevancy (down)
Sort by Alphabeth (up)
sort by date (up)
sort by category (up)
Rocktown Scrolls, Black Elk Speaks, 23 by 29
2006
The Rocktown Scrolls are named after the Pennsylvania coalfield “patch” where I grew up dreaming wondrous dreams while sliding down the ash-dumps. They present colorful pen & ink drawings accompanied with passages selected from a wide range of
Presence
1995
-
1995
Presence is a three beam interactive video projection installation commissioned for the Art Machine II exhibition at the Maclellan Galleries, Glasgow. It is composed of three screens using high resolution video projectors and three computers with a
Rocktown Scrolls, Auguries of Innocence,Version II, 23 by 29
2006
The Rocktown Scrolls are named after the Pennsylvania coalfield “patch” where I grew up dreaming wondrous dreams while sliding down the ash-dumps. They present colorful pen & ink drawings accompanied with passages selected from a wide range of
The Living Room
1994
-
1994
Gallery based distributed interactive digital video projection environment Multiple rooms, each approximately 12 x 10 x 6 metres 4 large scale projections, black and white and colour, multi-channel interactive sound Produced by The Film and
Angels
1994
-
1994
The work uses remote visual sensing techniques to track the viewer. The position of the viewer in front of the image controls the activity of the figures across the bottom of the screens. The viewers actions also control their ability to talk, as
Rocktown Scrolls, A Midsummer Night Dream, I, 23 by 29
2006
The Rocktown Scrolls are named after the Pennsylvania coalfield “patch” where I grew up dreaming wondrous dreams while sliding down the ash-dumps. They present colorful pen & ink drawings accompanied with passages selected from a wide range of
Shadows
1993
-
1995
The work uses remote visual sensing techniques to track the viewer. The position of the viewer in front of the image controls the activity of the figures across the bottom of the screens. The figures are all independently interactive, and are
Rocktown Scrolls, The Song of Songs I, 23 by 29
2006
The Rocktown Scrolls are named after the Pennsylvania coalfield “patch” where I grew up dreaming wondrous dreams while sliding down the ash-dumps. They present colorful pen & ink drawings accompanied with passages selected from a wide range of
Voices
1993
-
1993
Digital video 5 mins 36 secs colour, stereo sound by Hans Peter Kuhn Inspired by the poem of the same name, Voices is a visual evocation of Paul Celan's poem of Jewish experience within a concentration camp. Voices from the nettleway
Tangible Disaster Simulation System
2005
-
2006
Tangible Disaster Simulation System is a collaborative tool for planning disaster measures based on disaster simulation and evacuation simulation using Geographic Information Systems (GIS). Built on the Sensetable platform, Tangible-DSS allows
1
…
(more)
145
146
147
148
(current)
149
(more)
1056