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Electronic Cafe Network
1984
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1988
In 1983 artists Kit Galloway and Sherrie Rabinowitz began refining a concept for a telecollaborative network connecting informal public multimedia communications venues. The original Electronic Cafe Network was to be the artists offering as a
Virtual Striptease
1995
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1995
video
VIRTUAL STRIPTEASE : DISTRIBUTED VIRTUAL STUDIO BROADCAST 1995 For the International Video Art Award ceremony organized by ZKM Karlsruhe and Suedwestfunk Baden-Baden (SWF) in 1995, Fleischmann and Strauss conceive a broadcast with audience
Garden Of Changes
2020
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2020
Connected to Elke Reinhuber's earlier research on choice and decision making, the forking path structure of the garden was turned into an oracle contraption, based on the legendary iChing, the Book of Changes. After posing a question at the entrance
February 29, 1993 v02
1993
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1993
Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1993 Victor: I got a whimsical satisfaction in naming this
Franco Mazzucchelli
Research into the nontraditional materials of sculpture has accompanied my artistic career in the search for the relation between the work and the exhibition site understood as social sphere, architectural context or an urban space. A work of art
The Dis-Embodied Re-Embodied Body
1997
Shaw, Jeffrey. The Dis-Embodied Re-Embodied Body In New Ideas in Science and Art, Final Acts of the Prague Conference 19-23.11.1996, edited by Council of Europe, 50-56. : 1997.
El proceso como paradigma
2010
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2010
Before the background of unforeseen global processes, credit crash and climate change, the exhibition el proceso como paradigma researches the nature of processes and self organising, processual systems on a cultural level and in the arts. el
ongoing extasy – the final show, Javamuseum, Cologne, Germany.
2005
Event: ongoing extasy – the final show, Javamuseum, Cologne, Germany.Institution: Java MuseumComment:
Processes: The Artist and the Machine. The audiovisual as register and memory in Media Art
2014
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2014
On the exhibition could be seen for the first time in an open public display, the audiovisuals of the MIDE´s documentary archive, dialoguing with some of its most meaningful tangible artworks from its Electrographic Art Collection. Few audiovisuals
Arte Laguna Final Exhibition
2016
Event: Arte Laguna Final ExhibitionInstitution: Arte LagunaComment:
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