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  • Brot und Spiele -
    English title, 'Bread and Circuses'
  • Reactive light environment Public indoor swimming pool, Dornbirn (A), competition 2005- present [English title, loud and quiet] 'LAUTUNDLEISE' was conceived for the newly-built indoor pool in Dornbirn. The interactive light environment dynamizes the
  • Runtime animation in which the visual and sound tracks function independently and complementarily in two languages (English and Portuguese), one not being the translation of the other. “Desperto” means “awaken” in Portuguese. Originally a runtime
  • "The quotations no longer refer to the correct authors. On the mock website, quotations are continually reordered randomly with different authors, spreading online misquotations as a form of liberation from the fixation on authorship. This explores
  • Pam Skelton is a media artist, professor and researcher. Is Professor at Central Saint Martins College of Art & Design and Research Associate at the Photograph and the Archive Research Centre, London. Studied at Southport School of Art Camberwell
  • Born in Paris. Lives in California Prix Villa Medici Visiting Scholar HitLab 1991-1992 Research Fellow MIT (Visual Arts Program) 1990-1991 Research Fellow MIT (CAVS) 1989-1990 Prix EDF Foundation/Pleias 1989 MA in Art and Technology, (Paris U) MA
  • Adsum -
    Adsum is a cubic glass sculpture inside of which letters are laser engraved. The letters are positioned one in front of the other, thus forming a spatial poem inside the solid glass cube that can be read in any direction. 'Adsum' means “I am here”
  • The animation Global Vulva connects female figures and vulva symbols from different times, countries and cultures, while they morph into each other - the cultural meaning of the female genital becomes visible again. You'll see paleolithic
  • Dominique Radrizzani and Ursula Perucchi and Danielle Chaperon and Angelika Affentranger and Alexander Hahn. Mémoires Astrales d'un Homme Volant/Astral Memories of a Flying Man, 72 p. French/English. Vevey/Switzerland: Musée Jenisch, 2002.
  • In contrast to the tendency perceived in previous years, an increase in film entries and the trend towards longer, more complex contributions in the film area became noticeable in 1992. In addition to presenting the Russian filmmaker Vladimir Kobrin