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  • Gilberto Chateaubriand’s Collection -
    Event: Gilberto Chateaubriand’s CollectionInstitution: Museu de Arte Moderna, Rio de Janeiro, BrazilComment:
  • SKIN DEEP: LIMINAL STATES
    Beesley, Philip. SKIN DEEP: LIMINAL STATES. Chatham: The Thames Art Gallery, Chatham Cultural Centre, 2002.
  • Translation, du récit numérique
    Chatonsky, Gregory. Translation, du récit numérique Journal de Fresnoy, Studio National d´ Arts Contemporains (2004).
  • Libérons la fleur -
    Event: Libérons la fleurInstitution: Galerie Martine et Thibault de la ChâtreComment:
  • I like Frank -
    In March 2004 Blast Theory premiered the world's first 3G mixed reality game, I Like Frank in Adelaide, at the Adelaide Fringe. I Like Frank took place online at www.ilikefrank.com and on the streets using 3G phones. Players in the real
  • Decidophobia - video
    The current quarrel between neuroscientists and moral philosophers about whether there is a free will or only a surrogate thereof provided by the subconscious cannot be settled easily. Instead Elke Reinhuber offers to see for yourself in her work
  • Marnix De Nijs
    Marnix de Nijs is a Rotterdam based artist who explores the dynamic clash between bodies, machines and other media. His works include mainly interactively experienced machines that play with the perception and control of image and sound, but also,
  • Gregory Chatonsky
    Gregory Chatonsky is an artist born in Paris in 1971. He currently resides in Montreal and Paris. He holds a philosophy master’s from the Sorbonne and a multimedia advanced degree from the Ecole nationale superieure des beaux-arts in Paris. He has
  • Netart from Canada, curated by Agricola de Cologne, Javamuseum.org
    10. Netart from Canada I-Highway - netart from Canada is a showcase of netart which can be accessed directly here selected artists their name are linked with the artists biographies Michael Alstad saibot & ssiess Isabel Hayeur Babel
  • Interfaces of Performance
    Chatzichristodoulou, Maria and Janis Jefferies and Rachel Zerihan, ed. Interfaces of Performance. London: Routledge, 2016.
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