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  • Pure Land AR employs iPad screens that visitors use as mobile viewing devices to explore the magnificent Buddhist wall paintings inside Cave 220, a cave dated to early Tang, from the Mogao Grottoes at Dunhuang in Gansu province, China. It is an
  • Marcello Mercado CAPITAL -> Case: Files deleted (Das Kapital -> Fall Dateien gelöscht), 1-channel video installation, 03 min. 05 sec., stereo 4:3 colour, 1999 http://vimeo.com/73331069
  • Light from Tomorrow -
    Light from Tomorrow is an artwork by British artists Thomson & Craighead. It centres on an expedition to The Kingdom of Tonga, where tomorrow’s outdoor light-readings are broadcast in close to real time through The International Dateline to
  • Fleischmann, Monika and Wolfgang Strauss. Murmuring Fields oder ein Raum möbliert mit Daten In Medienökologie zwischen Sinnenreich und Cyberspace, edited by Wolfgang ZachariasMünchen: 2000.
  • Reiner Strasser is an artist of traditional and digital arts. He studied art, art history and philosophy at the University of Mainz, Germany. His Web works, international collaborations, and Web art projects date from 1996. Strasser's Web work has
  • International arts collective founded by Verónica Peráles, Fred Adam and Andy Deck, concerned with ecology, sustainability, and media. Since its formation in 2001 it has produced a series of critically acclaimed works and exhibitions under the
  • The interdisciplinary artist MOON a.k.a. Martina Zelenika is visionary artist with a unique artistic expression. Artsist MOON combines the must up-to-date digital technology along with an analogue one to embody spiritual dimension of cosmology and
  • Grau, Oliver. Datenbank der Virtuellen Kunst Kunstchronik 11 (2000).
  • Grau, Oliver. Datenbank der Virtuellen Kunst In Electronic Imaging and the Visual Arts 2001, , 135-140. Berlin: 2001.
  • Weibel, Peter, ed. Vom Tafelbild zum globalen Datenraum Edition ZKM Hatje Kanz Ostfildern 2001 ISBN 3-7757-1977-9. Vol.1. ISBN 3-7757-1977-9, Edition ZKM th ed.Ostfildern: Hatje Kanz, 2001.