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  • Media Facades -
    MYTHS AND POTENTIALS OF MEDIA ARCHITECTURE AND URBAN SCREENS Initiated by Mirjam Struppek & Susa Pop, Public Art Lab in cooperation with Media Architecture Group Vienna and the German Center for Architecture (DAZ) Urban Screenings: 16th Oct -
  • Simon Biggs -
    As contemporary art practice moves ceaselessly into the vast and infinitely complex field of video and computer technology, the McDougall Art Annex takes pleasure in presenting the work of a leading artist in this area, British-based Simon Biggs.
  • Garden Library -
    In this collaboration with Israeli artist Romy Achituv, I implemented a data visualization of the books in the Garden Library for Refugees and Migrant Workers in South Tel-Aviv. This is an open?air library located in a public park, established to
  • GUISE exhibition catalogue essay by Diyan Achjadi
    Willet, Jennifer. GUISE exhibition catalogue essay by Diyan Achjadi. Québec: Articule Artist Run Centre Montréal, 2001.
  • Expect the Unexpected | Aktuelle Konzepte für Fotografie -
    Exhibiting artists: Banz & Bowinkel, Tim Berresheim, darktaxa-project, Heather Dewey-Hagborg, Philipp Goldbach, Beate Gütschow, Spiros Hadjidjanos, Fabian Hesse & Mitra Wakil, Baron Lanteigne, Oliver Laric, Simon Lehner, Achim Mohné, Susan Morris,
  • GUISE
    Willet, Jennifer and Diyan Achjadi. GUISE. Québec: Articule Artist Run Centre Montréal, 2001.
  • Grüne Mäuse: Der amerikanische Gen-Künstler Eduardo Kac und sein genetisch manipuliertes Ökosystem "Der achte Tag"
    Girst, Thomas. Grüne Mäuse: Der amerikanische Gen-Künstler Eduardo Kac und sein genetisch manipuliertes Ökosystem "Der achte Tag" Frankfurter Rundschau (August 2001): 19.
  • Cyberspace, ein Geisterreich: Freiheit fürs Internet: Eine Achterbahn durch die Reste der zerfallenen Utopie
    Bredekamp, Horst. Cyberspace, ein Geisterreich: Freiheit fürs Internet: Eine Achterbahn durch die Reste der zerfallenen Utopie Frankfurter Allgemeine 29 (1996): B1.
  • The Preservation of Entropy -
    A time-based work on decay and energy presented in 6 museum vitrines arranged in a triangle, containing 3 alchemical flasks of acid, alakaline and base each with 3 rods of copper, iron and aluminium connected to 3 old IBM Dos computers, their
  • Romeo to Tripoli -
    Based on a hydraulic microphone and spark gap transmitter devised by Q.Majorana and G. Vanni in 1905. A stream of vitriolic acid, modulated by sound waves, controlled the flow of electricity to the transmitter and used to make the very first long
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