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  • Sandra Alvaro
    Sandra Alvaro is a scholar working on the encounters between art, science and society. Primarily dedicated to contemporary aesthetics, her recent work focuses on how the technological and societal changes from postmodernity affect and have been...
  • Rendre la Terre Habitable
    Alvaro, Sandra and . Rendre la Terre Habitable (2024): 38 -59.
  • Rendre la Terre Habitable
    Alvaro, Sandra. Rendre la Terre Habitable (2024): 38 - 59.
  • “Reversing Ruins: Artistic Interventions for Recovering from Disaster Capitalism”
    Alvaro, Sandra and Guillermo Alonso R. and Federico López-Silvestre. “Reversing Ruins: Artistic Interventions for Recovering from Disaster Capitalism” In Planet Earth: Scientific Proposals to Solve Urgent Issues, edited by A. Núñez-Delgado, 83 -...
  • Art, Eco-aesthetics and Cosmopolitics
    Alvaro, Sandra. Art, Eco-aesthetics and Cosmopolitics In Green Revisited. Encountering Emerging Naturecultures in Art and Research, edited by Jeans Hauser and Kristin Bergaust and Raitis Smits and Rasa Smite, 217 - 236. : RIXC, 2022.
  • Practiced, Conceived and Lived space in the Postdigital City
    Alvaro, Sandra. Practiced, Conceived and Lived space in the Postdigital City 22 (2022): 47 - 58.
  • Artistic production and embodied information. Tracking Spaces of Transformation
    Alvaro, Sandra. Artistic production and embodied information. Tracking Spaces of Transformation In VIRTUALITIES AND REALITIES New Experiences, Art and Ecologies in Immersive Environments, edited by Raitis Smits and Rasa Smite: RIXC, 2019.
  • John-Robin Bold
    Hi, thanks for your interest in my work. I'm both a composer of experimental music and an internet artist. Please find below a list of my website-specific activities. For access to my musical works on Mille Plateaux, mappa etc. please visit my...
  • SoundCloud Gazing -
    Event: SoundCloud GazingInstitution: /rosa (Zentrum für Netzkunst, Panke Gallery)Comment:
  • Net Art Died But Is Doing Well -
    Event: Net Art Died But Is Doing WellInstitution: The Wrong BiennaleComment:
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