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Borges, Science Fiction, Hyperfiction: three means to Post-Human ?Borges, Ficção Científica, Hiperficção: três caminhos para o Pós-humano?
2007
Moes, Fabiana. Borges, Science Fiction, Hyperfiction: three means to Post-Human ? Borges, Ficção Científica, Hiperficção: três caminhos para o Pós-humano? academia.edu (2007).
Fray: Coming Away the Ends
2010
4 projector slide dissolve work 2010 The work is a meditative piece that follows the 10 or more ways that come together in the cell to cause it to die and us to age; the protein debris that accumulates, the chromosome damage produced, etc. etc. The
Post Brands
2004
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2004
"This is a triptych of three street art pieces that starred in a poster campaign that took place over several years in a number of European cities. The artworks were printed in black and white on wide format paper or stickers and pasted illegally on
Treshold Experiences, Incendiary Bodies and Frail Machines
1999
Morse, Margaret. Treshold Experiences, Incendiary Bodies and Frail Machines In Jim Campbell: Transforming Time: Electronic Works: 1990-1999, , 33-34. Tempe, Arizona: Arizona State University Art Museum, 1999.
Suit of Armour
This interactive video installation is a collaboration between myself and Camille Turner. This mediawork is an exploration of the sex, beauty and racial myths which are encountered by a young black Canadian woman and the various conflicting message
Animal Infected
2011
Infections of a mental kind and the examination of the animalistic are the topics of the Zurich media art group ‹knowbotic research› in their most recent project ANIMAL INFECTED. The infection takes place subtly, for instance with an expres sion
Emerging Media, Memory and Recollection, Jim Campbell and Paul DeMarinis
2000
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2000
Event: Emerging Media, Memory and Recollection, Jim Campbell and Paul DeMarinisInstitution: Foster GalleryComment:
Web of Life. Die Kunst vernetzt zu leben
2002
Gleich, Michael. Web of Life. Die Kunst vernetzt zu leben. Hamburg: Hoffmann und Campe, 2002.
Substance
2002
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2002
Richard Brown, Alan Dunning and Paul Woodrow Curated by Michael Alstad and Camille Turner InterAccess Electronic Media Arts Centre in partnership with Subtle Technologies and Year Zero One present Substance, an exhibition of interactive
Camouflage (Print)
2014
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2014
Print on aluminium composite panel The temporary intervention 'Camouflage' was realised in 2012 on the Bielerhöhe in Tyrol. A row of flagpoles along a bus parking lot, which usually bear the multi-coloured national flags of EU states, now welcomed
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