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  • Dr Alan Dunn studied at Glasgow School of Art and The Art Institute of Chicago. He was curator of The Bellgrove Station Billboard Project (Glasgow, 1990-91), lead-artist on the tenantspin project (Foundation for Art & Creative Technology, Liverpool
  • Beiguelman, Giselle, ed. HTTPVideo, HTTPpix: Creative Processes and Criticism in Image Networks. São Paulo: Instituto Sergio Motta, 2010.
  • Prof. Dr. Diana Domingues is the founder and the Director of LART (Art and TechnoScience Research Laboratory, Brazil). She is a CNPq researcher PQ1 A at the National Research Board, Ministry of Science Technology and Innovation, She actuates as a
  • Maeda, John. Creative Code. London: Thames&Hudson, 2004.
  • Having originally qualified in Fine Art at Trent Polytechnic, Nottingham U.K, from 1997 I began to combine computing with creative work at Loughborough University's computer science Human-Computer Interface department. Around 2000 this produced two
  • Noriyuki Fujimura is a Japanese Media Artist and architect exploring the field between interactive art and public space. Research Fellow, STUDIO for Creative Inquiry, Carnegie Mellon University.He has a BA in architecture (Tokyo National University
  • Max Hattler is an artist and academic who works with abstract animation, video installation and audiovisual performance. He holds a master's degree from the Royal College of Art and a Doctorate in Fine Art from the University of East London. His
  • Bula, Frances. “Art Beyond Stereotypes: Are suburbs the next great creative frontier?" Literary Review of Canada (April 2014): http://reviewcanada.ca/magazine/2014/04/art-beyond-stereotypes/.
  • Amerika, Mark, ed. Creative Evolution: natural selection and the urge to remix. UK: Open Humanities Press, 2011.
  • Liverpool: FACT, The Foundation for Art and Creative Technology. JODI: Computing 101 B.. United Kingdom: In association with exhibition at Spacex, Exeter, UK, 2004.